literature

Students Crave Opportunities to be Creative

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“Is that the bell?” A student asks in shock.

“Yes, it is,” I reply, picking up papers and pencils.

“This happens to me everyday,” he continues as he hastily gathers his belongings. “I barely finish my poem and the bell rings.”

“You know what they say – time flies when you’re having… fun?” I ask.

He pauses and gives me a stern look.

“Mr. Singer, you know I hate this stuff.”

Then he blushes and stomps out of the room.

The next class comes trickling in and the first student there throws her bag and thermos on her desk and cries out, “Are we doing poetry again!?”

“Yes,” I reply.

She collapses to her seat and sinks her head into her arms. Then she looks up and says hopefully, “What kind?”

After numerous interactions like this, I’ve come to a shocking revelation.

My middle school students like poetry.

Not only like it; they love it.

Oh, they’ll protest from homeroom until the afternoon announcements, but between all this whining and fussing, you’ll find classrooms of kids playing with words and language like toddlers with clay or blocks.

And I think that’s really the reason for our classroom renaissance.

Somehow we’ve made poetry something other than a lesson. It’s play.

And that’s when the deepest learning takes place!

This year I teach two different poetry classes – a 7th grade course focusing on writing it, and an 8th grade course focusing on reading it.

It’s not entirely exclusive. We do some writing in 8th grade and some reading in 7th grade, too. But each course is centered more on creation or explication.

My 8th graders seemed hooked when I introduced poetry by reading them a Shakespeare sonnet in a stuffy British voice.

Don’t get me wrong. I love the Bard. After all, my wife and I named our daughter Desdemona. But you might as well lean in to the expectation that Shakespeare is elitist with a question like, “Shall I compare thee to a summer’s day?”

Then follow it up with some video clips from Def Poetry Jam.

My students loved the idea that these street verses by Lamont Carey, J. Ivy and others were both instantly relatable and yet qualify as poetry.

When I told them that rap also met our literature book’s definition, they were floored.

We read Langston Hughes, Gwendolyn Brooks and even Tupac Shakur before looking at Tennyson and Whitman.

I’ll never forget the excitement on their faces as we read about the Light Brigade’s charge against the Russian gunners. Nor their looks of remorse as we read about Our Captain! Our Captain! Lying cold and dead!

I recited the Whitman poem aloud, and as my voice shook and my eyes watered, a student in the front row said I should have been an actor. But it wasn’t acting. Many of us felt that same emotion. It was right there on the page.

Today they were wrestling with Poe and Dylan Thomas with a kind of seriousness of purpose you rarely see in 13- and 14-year-olds.

In years past, I often had to point to this or that, guide them to consider one thing or another. But this morning, I could have gone to get a cup of coffee, and I don’t think they would have even noticed my absence.

My 7th graders took a bit more convincing.

When I announced we were starting a unit on poetry, they almost all lamented about how much they hated it so much. So I made them write a journal about why they felt that way. No public performances. Just put it down on paper.

Then as an extra twist, I had them take their prose and turn it into a poem.

It was funny how verbal complaints melted away in the face of stanzas and verse. Many admitted on the page that they liked poetry – some poetry – but they felt scared of getting the wrong answer.

So we began writing a series of about 18 poems – each in a different style. So far we’ve written cinquains, clerihews, list poems, haikus, alphabet poems, and today even a limerick.

The things they write about!

The very first poem brought out such emotion and turmoil. One girl wrote about the recent death of a family member. A boy wrote about how he felt he was never good enough no matter how high his grades.

Some showed off real talent with figurative language – personifying colors, using vivid imagery, perfect similes, a gift for rapid fire rhymes.

They still complain. Every day.

But you can tell its more route than real.

We’ve settled into a groove, and as long as I reassure them that their best effort is always good enough, they are willing to try almost anything.

Today I had them sing the rhythm of the limerick with me. I lead a chorus of:

Da DUM da da DUM da da DUM,
Da DUM da da DUM da da DUM,
Da DUM da da DUM,
Da DUM da da DUM,
Da DUM da da DUM da da DUM.

They laughed. (I did too.) They looked at me like I was crazy. (Perhaps you have to be to teach middle school.)

But they did it.

And they tried to write their limericks.

I’m not saying the results were all perfect. Few of them were. But the kids tried and some will continue trying.

There’s a word for that.

You try to climb to the top of the monkey bars…. You fall down. You get right back up and try again.

It’s play. Pure and simple.

That’s what’s been missing from so much of my kids school days recently.

After how many years of disruptions from the Covid pandemic and then number crunchers demanding this pretest and that standardized benchmark, the kids just want to get out there and play.

They want to be creative.

They’re yearning for it like a drowning swimmer yearns for air.

The opposite of standardized testing isn’t routine lessons. It is creativity.

I’m not saying I’ve somehow cracked the code – that this is the only way to do it. I’m as surprised as anybody that what I’m trying seems to be having these effects – or at least to this degree. It’s a matter of rapport meeting childhood need.

These kids want to be creative.

That’s what we need to prioritize and provide for them as much as possible – now more than ever.

Meanwhile, we’re still being warned against learning loss – a bogeyman designed by testing companies, book publishers and tech bros. Who out there is decrying creativity loss – vanished childhood – missing chances to be a kid?

These are what we should be worried about.


There will be plenty of time to catch up with academics. You can always learn, but you’re only a child once.

Your mind is only that malleable, your personality that open and willing to try new things – once.

Moreover, play and creativity are not antithetical to learning. They are the very heart of it. They are when we pick up, master, review the best!

So let my kids swim, paddle and glide in verse. Let them dive, bathe and wade up to their shoulders and beyond.

Because when they do, they transcend school and learning.

They become poetry, itself.

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Reading for Pleasure – One of The Most Important Lessons in School

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“Children should learn that reading is pleasure, not just something that teachers make you do in school.”

― Beverly Cleary

If you ask most middle school children whether they like to read, the answer is usually no.

However, for the last few weeks, my 7th graders have been coming into my class and remarking about the 8th grade books they find left on their desks.

“Oh! The Outsiders! I hear that’s a really good book!”

“When are we going to read this, Mr. Singer?”

“Can I take this home?”

That’s what you get when you pique a student’s interest – even a reluctant reader.

The problem is one of speed and instant gratification.

Today’s children have a multitude competing for their attention.

Video games, social media, TikTok videos – they haven’t the time to sit down with a book.

Doing so seems like something an old person would do or at least something too hard for them to enjoy.

I remember when I was growing up, my father always read Stephen King paperbacks. I still remember the covers of some of those books. The snarling Saint Bernard of “Cujo.” The empty boy’s face of “The Shining.” And “Night Shift” with its creepy bandaged hand slowly coming unraveled to reveal eyes growing under a knuckle…

I wanted nothing more than to read these books and understand what it was that lurked inside the covers.

But today a lot of novels are eBooks. If they have covers, they aren’t visible in the hands of those reading them. They aren’t left on display on a shelf. They’re nearly invisible.

The very idea of books seems like something beyond the reach of many adolescents.

That’s where teachers come in.

We need to dispel these myths, to help our students overcome them.

That means (1) reading books together in class, and (2) allowing kids self-selected reading.

First, we have to actively show kids that reading can be fun.

This means picking the right books to read as a class and trying to make the experience pleasurable.

Luckily there are some classics of young adult literature that rarely disappoint – S. E. Hinton’s “The Outsiders”, Lois Lowery’s “The Giver”, Ellen Raskin’s “The Westing Game”, Louis Sachar’s “Holes”, etc.

If you can catch a child’s imagination and place it in a community of learners, the result is both an individual and a social phenomenon.

Each child has his or her own experience, but it is enhanced by the thoughts and comments of others. Trying to solve the secrets of the society in “The Giver” isn’t just something you do alone – it’s a shared endeavor with your peers. Trying to decide what you’d do in the place of Ponyboy from “The Outsiders” isn’t just an academic thought experiment – it’s a way of expressing your thoughts and values and seeing them reflected, absorbed or enhanced by those around you.

However, this can’t always be done in a group setting. And the teacher can’t be the only person guiding the experience.

You have to give students the respect to make their own choices about what they read, too.

Let them choose books from the library and read them silently in class. There can be a culminating assignment like a book report or a book circle at the end of the month, but it has to be driven by individual curiosity.

This is all easier said than done.

Some years the books I pick for my students are a hit. Some years they aren’t.

Things are especially difficult now as we’re just healing from the Covid-19 pandemic. Students are just starting to get back on track and relearn all the social and academic skills they lost in years of quarantine and uncertainty.

I’m finding “The Giver” to be a harder sell this year than in most previous years. Many students want a more immediate and personal story. But some are entranced by the mystery and way the society deals with budding adolescence.

“The Outsiders”, though, is a raging success. My students don’t want to put it down or stop discussing the story. In fact, their enthusiasm is turning into rumors that have spread from grade-to-grade. However, they also aren’t as interested in racing through it toward the end as students from others years have been.

The biggest challenge is always silent reading.

The very idea of sitting down with a book and quietly reading it is entirely alien to some kids. They look around the room or try to sneak their cell phones out of their pockets – anything but turn their eyes to the pages in front of them.

It comes down to (1) finding a book that will interest the individual, and (2) one that they can easily read.

Unless you’re a librarian, it can be really hard to match students and books. As a classroom teacher I know some books that other students have enjoyed in the past and even have a few handy. For example, “Tears of a Tiger” by Sharon Draper is a story a lot of my more mature readers have gotten into – especially children of color. It tells the story of a boy who is dealing with the death of a friend who was riding in the boy’s car while he was driving drunk.

However, I don’t know the entire spectrum of children’s literature as well as a dedicated middle school librarian would. My school used to have one of those and she was brilliant at accomplishing the goal of suggesting books to students. These days, though, we have one librarian for the middle school and high school. That’s just too much ground to cover for any individual. Moreover, when you don’t dedicate your library to reading or research, you lose an incredible resource. There is far too much time when the library is closed for standardized testing or the librarian is asked to teach a class or proctor a study hall.

When it comes to matching a student to a book with a proper reading level, there are tools like Accelerated Reader which gives each book a level and tests students to find out their ability. However, the last thing we need is more standardized testing and computer software. An actual living, breathing librarian who has the time to know students and the literature is better than any technology in the world.

The point, though, is that no matter the challenges, we, as teachers, have to try.

It isn’t our job to simply teach children HOW to read. We have to encourage them TO read. We have to SHOW them that reading can be one of the most enjoyable pastimes in the world.

It may be out of touch with our modern society, but that is why it is so valuable.

Through books we can access any place – even places that never existed. Through books, we can talk with anyone in the entire history of time – even people who were never born.

And in doing so we gain access to that secret part of our own mind – our imagination – and build it into something strong and vibrant.

Few things are more important.

Creating lifelong readers – not a bad way to spend a teaching career.

“One child, one teacher, one pen, and one book can change the world.”

-Malala Yousafzai

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‘To Kill a Mockingbird’ is Still Relevant Because it Forces Us to Confront Ourselves 

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Parris is peering into a crumpled paperback with a huge smile on his face. 


 
“Mr. Singer, I love this book…” he says.  


 
He stops, pauses and adds, “I hate what’s happening, but I love the book.” 


 
In my middle school classroom, that’s a pretty routine reaction to Harper Lee’s classic, “To Kill a Mockingbird.” 


 
My 8th grade students approach the climax and resolution with equal parts dread and delight.  


 
But it doesn’t always start that way. 


 
No book I teach has gone through a greater change in cultural opinion than “Mockingbird.” 


 
It used to be considered a bastion of anti-racism. Now some folks actually consider it to be racist. 


 
The story is about Scout and her brother Jem as they grow up in Alabama during the Great Depression. Most of the drama centers on their father, Atticus, who defends a black man, Tom Robinson, in court against trumped up charges of raping a white woman.  


 
Ever since its publication in 1960, people have tried to ban the book from school libraries and from school curriculum.  


 
And that’s still true today. However, this used to be the work of the far right. Today there are almost as many objections from the far left – though for very different reasons. 


 
For 50 years, the biggest complaints came from conservatives about the book’s strong language, discussion of sexuality, rape, and use of the n-word. Though today you’ll find almost as many on the left proclaiming that the book actually perpetuates the racial intolerance it purports to be against. 


 
Republicans have become more extreme than ever. They see any discussion of race as “Critical Race Theory” – a conflation of a legal framework not actually taught in K-12 schools with any substantive discussion of racial inequality. It’s really just a simple dog whistle to try and shut down any discussion of the racial status quo. 


 
Teachers have become accustomed to conservatives hyperventilating that discussing racism and prejudice might mean having to admit these things still exist and therefore requiring us to do something about them. They’re terrified their kids might come to different conclusions about the world than their parents, and instead of confronting their own views with the facts, they prefer to sweep reality under the rug to preserve the fictions underlying their ideologies. 


These sort of complaints are typified by the Biloxi Public School Board in Mississippi which in 2017 removed Lee’s Pulitzer Prize-winning novel from its curriculum because, “It makes people uncomfortable.” 


 
What they don’t seem to realize is that the discomfort is part of the point. 


 
On the other side of the coin are people on the other pole of the political spectrum. Writers like Kristian Wilson Colyard don’t object to a discussion of racism and prejudice. They think “Mockingbird” doesn’t go far enough – or at least that the discussion it has is framed incorrectly. 


 
Colyard doesn’t think the book should be banned or removed from libraries, but instead insists it isn’t a good teaching tool.  


 
She writes: 


“Lee’s is not the best book to teach white kids about racism, because it grounds its narrative in the experiences of a white narrator and presents her father as the white savior.” 


While I think Colyard has a fair point of literary analysis, I don’t agree with her conclusion.  


At first glance, there is something strange about approaching racism through the lens of white people, but that doesn’t make it invalid. In fact, racism is a product of whiteness. In this country, white people are the ones doing it. Therefore, it makes sense to speak directly to and from the experience of white people. 


 Oppression, after all, is relational. It takes both the experience of the oppressed and the oppressor to fully understand it. And if we want to help end the cycle, it makes sense to show the oppressor how to bring that about. 


Moreover, the book sneaks up on its themes. There’s very little about outright intolerance on the first page or even the first few chapters. The idea creeps up on you as the narrator slowly becomes aware of the prejudices around her and the trial comes deeper into focus. 


As to the question of white saviorism, I think this is more often a buzzword than a legitimate criticism. White people are not heroes for attempting to put right something they put wrong. It is their responsibility, and seeing someone do that in fiction is a really powerful thing.  


Atticus doesn’t think he’s saving his client Tom Robinson. He doesn’t think he’s special for doing so. He’s doing what he thinks is right. Now Scout certainly views this through rose-colored glasses and lionizes him for it, but that’s a character’s point of view. It’s up to the reader to look at all this critically and come to your own judgement about it.  


Frankly, I think that’s one of the real values of the book. It provides a deep narrative, well told, for readers to examine and discuss very complex issues.  


 
If you think Atticus is given too much credit for what he does, that’s something you can discuss with other readers. I don’t see how doing so cheapens or hurts the cause of antiracism.  


In addition, the problem of centering the story on the white people is rectified by reading more widely in the literature. “Mockingbird” shouldn’t be the only book on the topic you read. To be well-rounded, you should read more from the point of view of people of color subjected to white people’s intolerance. And there are so many wonderful books to choose from – Toni Morrison’s “Beloved,” Ralph Ellison’s “The Invisible Man,” Alice Walker’s “The Color Purple,” etc.  


However, teachers shouldn’t be made to feel like they’ve wasted an opportunity by using “Mockingbird” in the classroom – even if it’s the only book that year they read on this topic. There must be more opportunities in years to come. Racism and prejudice should not be a one-and-done topic in US schools. It is too important for that. 


In my classroom, this book is far from our first discussion of the issue.  


We talk about Fred Hampton and the Black Panther Party. We talk about the 1968 Olympics Black power fist. We talk about Black cowboys like Bass Reeves. We talk about Bessie Coleman, Angela Davis, James Baldwin, and so many others.  


When we read S.E. Hinton’s “The Outsiders,” – a book that almost entirely eschews the topic – I make sure to point out that the narrative takes place in and around Tulsa, Oklahoma, and we discuss Black Wall Street and the massacre of Black people perpetrated by their White neighbors.  


And so when we get to “Mockingbird,” the discussions we have of the text is rich and deep. Students of color feel seen because of the book’s portrayal of the kind of racial injustice they experience in their own lives. Likewise, white students feel empowered to join in the struggle against it. 


When the verdict of the trial comes down, there are real tears and stares of disbelief.  


One of my students this year, Mya said, “I shouldn’t be surprised, but I thought it was going to turn out differently.” 


Me, too. Every time I read it. 


The book confronts students with the world as it is and challenges them to do something about it.  


White or Black, it holds up the reality of injustice and demands we take a side.  


And that’s why this book remains relevant and just as important today as it ever was. 

 

 

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Teaching the War in Ukraine is Fighting the War at Home 

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How does one teach about war?  


 
With pictures or words? 


 
With speeches or documentation? 


 
With prayers or curses? 


 
With laughter or tears? 


 
I began my class like I always do – with a question. 


 
“Has anyone heard about what’s happening in Ukraine?” I asked.  


 
A few hands, but they had only heard the words. They didn’t know what was happening.  


 
So I showed my 8th graders a short video that summarized events so far. I drew a map of Europe and Asia on the board. I outlined Ukraine, Russia and the European union. I explained about the Soviet Union and its collapse. I explained about NATO and the struggle for power and prestige.  


 
When I was done, there was a moment of silence. They were all staring up at me. It was one of those rare moments of stillness, a pregnant pause before the questions started raining down.  


 
A patter at first, then a storm. 


 
They asked about what they were hearing at home. They searched for corroboration, explanation and/or other viewpoints. 


 
One child asked if this was NATO’s fault. If it was President Biden’s doing. 


 
Another asked how it would affect us and why we should care. 


 
And yet another asked about nuclear proliferation and whether this war meant the end of the world.  


 
I couldn’t answer all of their questions, though I tried. When there was something I couldn’t say or didn’t know, I pointed them in a direction where they might find some answers.  


 
But it led to some interesting discussion.  


 
Then I asked them if they had talked about any of this in their other classes – perhaps in social studies. They all said no, that a few teachers had promised to get to it after finishing the 13 colonies or another piece of mandated curriculum.  


 
I was surprised but not shocked. I know the tyranny of the curriculum.  


 
I was only able to talk about this, myself, because of the scope and sequence of Language Arts. You see, it was poetry time and I was about to introduce my students to Alfred Lord Tennyson and “The Charge of the Light Brigade.” 


 
For those who don’t recall, the poem tells the true story of the battle of Balaclava during the Crimean War. A cavalry regiment of British troops charged Russian gunners and were mostly shot to pieces.  


 
It’s a pillar of English poetry and a perfect opportunity to talk about warfare in general and Ukraine in particular since the battle took place in the same general area of the world. 


 
In the poem, a general mistakenly orders the soldiers on horseback armed only with swords to charge the enemy armed with cannons and guns.  


 
Tennyson writes: 


 
“Theirs not to make reply, 
   Theirs not to reason why, 
   Theirs but to do and die.” 


 
And after the result is graphically portrayed, the speaker extols their virtue: 


 
“When can their glory fade? 
O the wild charge they made! 
   All the world wondered. 
Honour the charge they made! 
Honour the Light Brigade, 
   Noble six hundred!” 


 
So I ask my students what they think about it. Is it a soldier’s duty to follow orders no matter what? Should they question those orders?  


 
Typically, most of them back up Tennyson.  


 
And then I present them with an 80s heavy metal video by Iron Maiden of the song “The Trooper.”

 
 
The video uses images from a silent movie version of the Tennyson poem while singer Bruce Dickinson wails the story of a single soldier of the Light Brigade being senselessly gunned down and dying alone, forgotten on the battle field. 


 
It certainly gives them something to think about as they watch black and white horses flung in the air and our spandex clad narrator commenting on the situation with hairspray piled locks.  


 
Students end up leaving the class continuing the debate with each other about heroism and the waste of war.  


 
I certainly have my own opinions on the matter, but I keep them to myself.  


 
The way I see it, this isn’t the time for me to insert my opinion into the class. It’s an opportunity for my students to think through the problem, themselves.  


 
And, frankly, that’s really the point of most of school.  


 
It’s not the transmission of knowledge. Teachers can’t magic information into children’s heads.  


 
Instead, we provide opportunities to learn. We encourage students to think. We’re more like gardeners than anything else. We water, we weed, we make sure the soil is fertile. But it is up to the child to grow and in which direction to strive.  


 
That’s why far right scare mongers are so ignorant and absurd when they try to constrain teachers from teaching about history or racism.  


 
These campaigns are not aimed at educators. They are aimed at students.  


 
The goal is to offer children only one path in which to grow.  


 
They want to stifle thought, stifle free expression, stifle intellectual freedom by removing the option to think.  


 
They want to remove the opportunity.  


 
It may not be as dramatic as Putin invading. “Shot and shell” may not be flying. But the forces of fascism are equally at work on the minds of our children.  


 
In teaching about the war in Europe, educators are waging a battle against the war at home. 

Zhyvitʹ revolyutsiyeyu!

 
Viva la revolución! 

Long live the revolution!

 

Like this post?  You might want to consider becoming a Patreon subscriber. This helps me continue to keep the blog going and get on with this difficult and challenging work.

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I’ve also written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

I Teach Banned Books   

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If you want people to do something, forbid them from doing it.  


  
As a middle school language arts teacher, that’s always worked for me.   


  
Many of my students are reluctant readers.  


  
If a text is longer than a Tweet or a YouTube description, most of them would rather skip it.  


  
And when it comes to books, many of them wouldn’t intentionally crack one open under any circumstances.  


  
Unless you tell them not to.   


  
Unless you point out a specific book on the shelf and say it’s off limits.   


  
Unless you open it up right in front of them before quickly snatching it away and saying, “Oops! I forgot! We can’t read that one!”  


  
So most of my curriculum is made up of banned books.  


  
The Giver, Silent to the Bone, The Diary of Anne Frank, To Kill a Mockingbird – all forbidden in one place or another.   


  
Just not in my district.   


  
In fact, my school board has included each of these books on the approved reading list.

  
  
That doesn’t mean I have to use them.  


  
Language Arts teachers like me have a few different options at each grade level. And some of us actively avoid the more controversial texts to keep out of trouble.   


  
But not me.   


  
I go right for these taboo, prohibited, and oh so naughty books – for very good reasons. 

 

The Giver

  
Take “The Giver” by Lois Lowry.  


  
It’s almost the poster child for why we shouldn’t ban books in the first place. The story is set in a dystopian society where everyone is raised to be the same and people are discouraged from questioning things or having deep feelings.  


  
The book is most often challenged because parents don’t want their children to have to wrestle with its deep social criticism.  


 
When it first came under fire, Lowry responded thusly: 


 
”Submitting to censorship is to enter the seductive world of ‘The Giver’: the world where there are no bad words and no bad deeds. But it is also the world where choice has been taken away and reality distorted. And that is the most dangerous world of all.”  


 
 
However, not everyone is willing to let children think through these issues themselves – and what a bundle of issues Lowry presents! 


 
In the plot, she mentions sex, infanticide, suicide, starvation, and euthanasia.   


  
Nothing is graphic or developmentally inappropriate for middle schoolers, but the very idea of children thinking about S-E-X and challenging authority is enough to put it afoul of some censors.  


  
Which is exactly why my students love it.   


 
Too often teachers give students short passages taken from standardized tests where the only reason to read is to hunt for multiple choice answers. It’s dry, boring and meaningless to their everyday lives. 


  
That’s why they enjoy books like “The Giver” so much. This isn’t just for a grade. It’s reading something worth taking the time to consider, something that gets under their skin and makes them want to think.  


 
They’re at an age (12-14) when they’re starting to find their own place in society and struggling to understand adult issues like reproduction and romantic attachment. Making these topics explicit and being able to talk through them in the safety of the classroom can be liberating – and worth the effort to decode.   


  
That is – if you accept that children are little human beings who deserve the chance to consider these things aloud.  

Silent to the Bone

  
And speaking of adult issues, there’s the other comprehensive novel I teach in 7th grade – “Silent to the Bone” by E. L. Konigsburg.  


  
It’s a classic detective story where the characters try to discover why a young teen, Branwell, refuses to speak after his baby sister suffers a potentially life threatening injury.   


  
The plot grabs readers from the beginning and students find themselves really invested in unraveling the mystery. But to do so they come face-to-face with topics ranging from family, divorce, death, bigotry, sexuality and exploitation.   


 
It’s not about finding textual details to satisfy the number crunchers at Data Recognition Corp. or NCS Pearson Inc. It’s about getting textual to better understand what happened in the plot and why. 


  
Again the narrative is written for middle school readers but the concepts get them thinking and enthusiastic.  


 
As we come to the big reveal, I’ve had students turn to me with huge smiles saying they can’t believe we’re actually reading about this stuff in school.  
 


In an age where they usually communicate with emojis, I’m just glad that they’re reading. 


 
It can get uncomfortable, but by the end I definitely feel like I’ve reached them.

The Diary of Anne Frank


  
Speaking of uncomfortable, one of the hardest books I teach in 8th grade is “The Diary of Anne Frank.”

  
 
It’s not that the text is so difficult, but as a person of Jewish ancestry, I find it personally harrowing to relive this story every year.  


 
The plot centers on Anne, a historical Jewish girl in 1940s Amsterdam who with her family and others hid from the Nazis before eventually being captured and dying in a concentration camp. 


 
Like most teachers, I eschew the actual diary for the play version by Frances Goodrich and Albert Hackett.  


 
At first glance, it’s hard to imagine why this book would be banned. After all, it’s a true story of the Holocaust written by one of the people who lived it.   


  
However, there are an increasing number of people in this country these days who want to deny that the Holocaust even happened or claim that it was exaggerated. It’s hard to do that with a witness staring you in the face – even if that witness is just the book she left behind.  


  
Usually the text is challenged not on the basis of its plot so much as its sexual frankness. Not that there is much sex going on with people hiding above a factory in WWII. But the character of Anne is so real, she writes about everything including what it’s like to become a mature woman.   


  
For example, in Act II, scene 1, she mentions getting her period for the first time:  


  
“There is one great change, however. A change within myself. I read somewhere that girls of my age don’t feel quite certain of themselves. That they become quiet within and begin to think of the miracle that is taking place in their bodies. I think what is happening to me is so wonderful… not only what can be seen, but what is taking place inside. Each time it has happened I have the feeling that I have a sweet secret… and in spite of any pain, I long for that time when I shall feel that secret within me again.” 

 
  
  
My students often read over this passage without comment. I usually have to draw their attention to it and ask them what Anne is talking about before someone gets it.   


  
You might be surprised at how freeing this kind of discourse is. Menstruation is a natural part of life for nearly half the population, but it’s something we don’t often talk about.   


 
It’s not central to the story and Anne certainly goes into greater detail in her actual diary. However, even this little digression goes to further humanize her and make her relatable, especially to people like my students who are nearly the same age she was when she wrote it. 


 
She becomes so much more than a victim. She’s someone we know – inside and out.


 

To Kill a Mockingbird

 
The most challenged book I teach is “To Kill a Mockingbird” by Harper Lee.  


 
It tells the story of Atticus Finch, a white lawyer in the 1930s Alabama who defends Tom Robinson, a black man, of a crime he did not commit. The story is told from the point of view of the lawyer’s children who go from blissful naivety to uncomfortable understanding. 


 
In the past, people used to object most often to the book’s language since it makes liberal use of the N-word.  


 
It’s still an issue, and I make sure not to have myself or any of the students read these parts aloud. We only hear it on an audiobook as we follow along in the text. And even this only comes after we discuss how hurtful that word is. 


 
However, the language isn’t the book’s biggest sticking point today. It’s more often objected to these days on the basis of white saviorism. Critics complain that the narrative should be centered on Tom, the black man accused of the crime, and not Atticus, the defense attorney and his children.  


 
What makes this particularly troubling is the critics have a point. If the story is about racism, wouldn’t it be better to focus on the target of that racism?  


 
They suggest the book be replaced by more modern novels that center such a narrative appropriately – something like “The Hate U Give” by Angie Thomas (itself, a frequently challenged book). 


 
However, in the final analysis, I disagree.  


 
As good a book as Thomas’s is, it just isn’t as well-written or multifarious as Lee’s.  


 
Thomas reveals a lot about racism and the fight against it in today’s world, and her book is certainly worth reading. But it is a mistake to think that racism is only about people of color. White people are the cause of racism. White people have a responsibility to tear down the systems of white supremacy.

By the end of the book, my whole class – regardless of race – is devastated by what happens to Tom and furious at the injustice he experiences. To be honest, that might not happen to the same degree in a book that signals its message right from the beginning.  


 
“Mockingbird” starts quietly. It doesn’t even appear to have anything to do with racism at the beginning. We slowly get acclimated to this world, this time and place before prejudice creeps into view and surprises us. 


 
In my classroom, the book allows us to discuss so many intersectional issues – gender, economics, belief systems, etc. Plus it gives my students more cultural capital than other texts would. Having read “Mockingbird” allows them to understand more and talk to more people than other more modern books. 


 
If they haven’t already, when they go to the high school, they’ll read novels centered on blackness. Their education and discussion of this issue would be incomplete without them. But I don’t think we need to stop reading such a classic as “Mockingbird” that was, itself, part of the civil rights movement.  


 
In any case, the school board has not approved any similar texts at that grade level. If I put aside “Mockingbird,” it would mean not discussing the issue at all. I think that would be much worse. 


 

Conclusions

So this is how I teach. 


 
I know there are some adults out there who would rather my students not read these books.  


 
I know some grownups would rather my kids not think about these things and not come to their own conclusions.  


 
They’d rather children be seen and not heard – like furniture.  


 
But my students know it, too. And they’d rather be treated like actual human beings – even if that means… yuck… reading.

Now don’t get me wrong. I’d much rather decision makers put no restrictions on which books students can and cannot read. Even trash like Hitler’s “Mein Kampf” shouldn’t be forbidden. I make sure to tell my students that it’s readily available in the library but not recommended.  

Children should not be restricted to only some ideas. They will come into contact with all kinds as they grow older. They need the skill to sort through them and decide for themselves their value.  

In my experience the bigger threat isn’t prohibition, it’s indifference. 

 
As Ray Bradbury famously said, “You don’t have to burn books to destroy a culture. Just get people to stop reading them.” 


 
Focusing on banned books helps me keep reading real and relevant in my classroom.  

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Muzzling America’s Teachers with a Ban on Critical Race Theory is What Orwell Warned Us About

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I first read George Orwell’s dystopian novel “1984” while in high school almost a decade past its titular date.

At that time, it didn’t seem to be a prediction. It seemed to be a description of life in the Soviet Union.

I never would have guessed that it could be a warning of what the public school system could become in this country if Republican lawmakers have their way.

Far right legislators have proposed bans on so-called Critical Race Theory in at least 20 states that would muzzle classroom teachers from discussing racism and other “controversial” and “divisive” topics or risk being disciplined, fired or facing other legal consequences if they don’t obey.

It is an attempt to legislate history.

These lawmakers are working to control information and let politics – not facts – be the guiding principle of what gets accepted in our chronicle of the past.

Those of us who’ve read “1984” have seen this before.

The text is set in Oceania, a state where the government controls the media, education and even people’s thoughts.

The main character, Winston Smith, works at the Ministry of Truth where he rewrites history to match the party line – whatever it is this week.

For example, at a “Hate Week” demonstration near the beginning of the story, people are gathered to cheer their country’s alliance with Eastasia. However, when the speaker abruptly declares that Eastasia is the enemy, people quickly crumple up their banners and acknowledge that Eastasia was always the enemy and they must have been mistaken to think otherwise.

The prospective ban on Critical Race Theory is strikingly similar.

Politicos are trying to erase the United States’ troubled history of systemic racism, gas light any discussion of its current existence and otherwise stifle and control any topic that goes against their party line.

It’s a policy enshrined in page after page of the most famous description of totalitarianism in modern literature.

Let’s take a closer look at some key passages.

TRUTH

‘”There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.”‘

Central to the book is a belief in objective truth.

No matter what we think or say, there are facts out there in the world.

For example, throughout the 17th and 18th centuries, millions of people were kidnapped from Africa, forced into slavery in the American colonies and exploited in the production of tobacco and cotton. Any denial of that fact, any minimization of the degree of dehumanization in it, is a rejection of reality.

Sanity is our adherence to that reality. Psychological well being is the attempt to bring our thoughts and ideas about what was and what is in line with these facts.

Moreover, doing so is the definition of freedom, itself.

“Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.”

If we take away an individual’s right to try and square the reality of the world with their internal ideas about it, we take away all of their freedoms.

One must come to an understanding of the world. It cannot be handed down. It must be the result of observation and understanding.

In short, it is a product of education. We’re taught the facts, but it is up to us to make sense of them.

If the facts are obscured from us or if they are misrepresented, our freedom is impinged.

REWRITING HISTORY

“Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present…”

In direct opposition to the idea of objective truth is the mutability of history.

To some extent it is completely natural. Over time we come to new understandings. We discover things that had been accepted as facts were misunderstood.

For example, it was long accepted as true that Christopher Columbus discovered America. Now we realize that not only wasn’t he the first European to come to these shores, the idea that he “discovered” anything is incoherent. You can’t “discover” lands where people are already living. More over, given the details of pillage, rape and violence in his own journals, Columbus’ accomplishment should be viewed in far less positive terms than it has been up to this point.

Ideas change and we must keep up with that changing understanding.

However, the danger is when that change is NOT the result of new information or recontextualizing what we already knew. It’s when we allow history to be dictated by politics.

“And if all others accepted the lie which the Party imposed – if all records told the same tale – then the lie passed into history and became truth. ‘Who controls the past’ ran the Party slogan, ‘controls the future: who controls the present controls the past.'”

This idea is essential to the work Winston does at the Ministry of Truth. By rewriting the events of the past and controlling the narrative of history, the Party maintains its authority.

This is the goal of the proposed bans on Critical Race Theory. One political party is attempting to stop the freedom of history based on facts and replace it with history based on whatever is in the best interests of that party maintaining power.

Whitewashing the history of slavery as less exploitative and more mutually beneficial to both the white owners and black enslaved peoples helps to reduce the impetus to contemporary reform in the systems of racism maintained in this country since our failed Reconstruction. Likewise, representing Columbus as a hero and adventurer instead of a murderer and tyrant helps justify similar actions today.

Or as Orwell puts it:

‘”The masses never revolt of their own accord, and they never revolt merely because they are oppressed. Indeed, so long as they are not permitted to have standards of comparison, they never even become aware they are oppressed.”‘

EDUCATION

Much of the book is focused on how fascist regimes control thought. And primarily this is done through education and the media.

“Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing.”

That’s a kind of education. Replacing what is known with whatever the Party wants to be known.

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it.”

If you don’t have the words to express an idea, it’s incredibly difficult to have that idea. We do, after all, think in language.

For example, the definition of “Racism” has shifted over time to mean more than just prejudice or discrimination against a person or people based on their race or ethnicity.

It is now more commonly understood as prejudice plus power – racial prejudice, AND social power to codify and enforce this prejudice into an entire society.

This is what is meant by Systemic Racism, a concept at the core of this fight. Much of the battle against Critical Race Theory is really an attempt to stop this concept of racism from becoming widespread and codified through our school system.

It is an attempt to keep the original definition of racism, to stop people from seeing systemic racism by refusing to accept its reality through control over speech.

Yet the movement, itself, is based on redefinitions and insinuations.

Critical Race Theory is not a concept taught at public schools. It’s a decades old legal framework. It’s about how laws function to create and maintain social, economic, and political inequalities.

It’s as much a part of K-12 public schools curriculum as torts, contract law or civil forfeiture. Which is to say, not at all.

However, the GOP is using it because they think it sounds scary. It’s a self-created boogeyman to incite the Republican base against a nebulous and ever changing idea of what they take to be liberal indoctrination.

As Orwell wrote:

‘”It’s a beautiful thing, the destruction of words.”‘

And that’s what we have here. The destruction of words, the destruction of Critical Race Theory from its actual meaning into a trigger point.

It is about insinuation instead of talking about Republican grievances of what this so-called liberal indoctrination is head on. Because if they were to discuss the issue openly, it could never be proven. However, to imply, to hint, to whisper avoids the ability to disprove.

It is Newspeak, the fictional language of Oceania where simplified grammar and restricted vocabulary limit the individual’s ability to think and even articulate certain facts or concepts.

PURPOSE OF EDUCATION

But what is the difference between what Republicans are doing with these bans and the naturally evolving course of history? If education is the process of forming an individual’s ideas and thoughts, how is any of it ever free?

Consider this. Orwell describes the goal of education in Oceania:

‘”Doublethink means the power of holding two contradictory beliefs in one’s mind simultaneously, and accepting both of them.”‘

That is not the goal of our current education system.

We do not want students to be handed down information and simply accept it even if it doesn’t make sense.

Teachers strive to get their students to interact with information, to look at it critically.

And that is the important point – CRITICALLY.

At some point even in Oceania, everyone comes across different ideas, concepts that you may not have considered before or may have actively rejected.

What do you do when this happens?

Winston is expected to believe what the Party tells him to believe. And even in the USA we often act as if being confronted with this reality is the worst case scenario for students. It is the end of the world if they are confronted with a different point of view.

Nothing could be further from the truth.

It is essential that they be confronted with opposing views so that they can think critically.

That is the purpose of education.

Not to tell students what to think, but to give them the tools to think.

It is up to each and every student to come to their own conclusions.

Educators should give them the facts and even expose them to varying concepts about the facts.

But it is up to the individual student what to do with them.

This makes some parents and politicians uneasy because it treats students as human beings with freedom of choice.

Such freedom is not allowed in Oceania, and if Republicans have their way, it will not be allowed here, either.

We must preserve academic freedom for both students and their teachers.

It is absolutely essential.

Otherwise Orwell’s book will be less a warning than a guide.

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Top 10 Things I Want My Students to do During the Coronavirus Quarantine

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Dear Students,

 

A schoolteacher without a classroom is kind of like a firefighter without a fire.

 

Or a police officer without crime.

 

But here we are – self-quarantined at home.

 

Our classroom sits empty, and everyday this week we sit here at home wondering what to do.

 

I want you to know that I’ve been thinking about all of you.

 

I hope you’re doing alright during this unprecedented moment in history. It probably seemed like a lot of fun when it first happened.

 

No school for the foreseeable future!

 

The whole thing came together so quickly that our district didn’t even have time to get together work to send home with you. And like most schools throughout the country, many of you don’t have home internet access so we can’t fairly give you on-line lessons, either.

 

So you’ve been at home with little guidance from us. Sure we have free breakfast and lunches available for pick up at the school, but you’re probably growing a bit stir crazy.

 

I know I am. (And I’m sure your folks are, too!)

 

I’m at home with my daughter trying to keep her busy.

 

We’ve been creating Mario Maker boards for each other on our Nintendo 3DS and Switch.

 

We keep trying to stump each other, and me, being a teacher, I keep trying to get her to think outside of the box.

 

“Why don’t you try making a board where you have to get a mushroom through a maze?”

 

Or

 

“Why don’t you try making a board where the walls close in?”
Or

 

“I wonder if you could beat a Thwomp in a race down a pit?”

 

We were having a really good time until I tried to get her to watch a science video. I put on the original Carl Sagan’s “Cosmos” from the early 1980s.

 

My daughter loves looking up at the stars and asking me questions about the constellations. I thought this would be a perfect fit – after all, Sagan was an astronomer and can answer her questions way better than I can.

 

However, the old school effects were simply no match for today’s aesthetic. She revolted after about 20 minutes.

 

Today I won her over though with the new Cosmos series featuring Neil deGrasse Tyson. She turned to me after about five minutes and said, “Much better.”

 

We’ve been drawing and reading and playing video games and having a good ol’ time.

 

I hope you have people at home who can help you get through all this, too.

 

I’ve been getting a lot of emails recently from your folks.

 

They want to know what they should be doing to help you academically.

 

Whenever this whole thing is over – and it will be over someday soon I hope – they want to make sure you won’t fall too far behind.

 

Let me start with a word of caution.

 

We don’t know how long this self-quarantine will last.

 

We’re trying to stay home to stop the spread of this virus – COVID-19. It can be deadly to some people – even some young people like you.

 

It’s in everybody’s best interest that we wait this thing out so that the hospitals can deal with the people who get sick.

 

Then when the disease has passed, we can continue our normal lives.

 

But no one knows how long that will take. It could be a few more weeks – but more likely months.

 

It is very possible that we will not go back to school again until after the summer.

 

So it’s hard to say exactly what you should do to keep yourself in the best academic shape because we don’t know what you’ll be coming back to.

 

We DO know that we won’t have to make up some or all of the days we missed.

 

And we know we won’t (here in Pennsylvania) have to take the PSSA or Keystone tests this year.

 

But when this is over, what grade will you be in? Will you just move on to the next grade or will there be a bit of mopping up to do first? And if you don’t finish the curriculum, will you be ready for the challenges ahead?

 

We don’t know any of that yet.

 

But here are a few guidelines and some things you might want to do while you’re at home.

 

You don’t have to do all of them, but they’re some things to think about.

 

So here’s my top 10 things for my students to do during quarantine:

 

1) Finish Whatever School Work You Can

 

You may have some outstanding school work with you in your book bag. I know I sent my seventh graders home with their poetry projects. My eighth graders should either be done or have taken their projects home to finish.

 

So if you have work that’s not done, finish it to the best of your ability. You certainly have enough time.

 

2) Read a Book

 

I ask all of may students to have a self-selected book handy for sustained silent reading in class. Hopefully you brought it home. If not, take a look around the house. Maybe you’ve got a dusty tome hanging out in some corner. Or – hey – if you have Internet access, you probably have the ability to get an ebook.

 

Read something – anything you want.

 

It will while away the hours, relax you and maybe get your mind to thinking about things above and beyond how much mac and cheese you’ve got stored in the cupboard.

 

3) Keep a Journal

 

Do you realize you’re living through a moment of history? People will look back on this and wonder how people got through it. You could fill in the blanks for some future researcher. Just a description of your everyday activities, what you’re thinking and feeling, your hopes and dreams – all of it has historical value. Plus, you’ll get some practice expressing yourself in writing. And just think – a simple story about how you survived the great toilet paper shortage of 2020 could end up being taught in the classrooms of the future!

 

Make it a good one!

4) Take a Break from Video Games

 

I know some of you have built a fort out of sofa cushions, covered it in blankets and are nestled in this hideaway doing nothing but playing Fortnite or Roblox or Minecraft with friends on-line. And you know what? There’s nothing wrong with that. You go ahead and do that.

 

Just remember to take breaks for more than just food and the bathroom. Getting lost in a fantasy world is great so long as you leave yourself a trail of breadcrumbs to get back out again.

 

Don’t forget the trail. Don’t forget there’s a world out there that needs you. Set definite limits for how long you spend in there and try really hard to adhere to them.

 

5) Watch Something Educational on TV or the Internet

 

Education isn’t limited to something a teacher told you to do. Find a video or TV show that explains something you never knew before. Youtube is great for this if you know what to look for.

 

I don’t mean to find some rant by your favorite Youtuber. I mean find something about science, history, art, literature, math, etc. Make it something you care about but might not watch just for fun.

 

You’ll be surprised at what you can find out there. The channel CrashCourse with author John Greene (“The Fault in Our Stars”) and his brother Hank is particularly informative, entertaining and far reaching. I also love John Michael Godier for all things astronomy and Composer David Bruce for discussions of music.

 

6) Watch/Read the News

 

There are extraordinary things happening every day. Knowing about them can help you prepare for what’s next and think about what we can and should be doing to make things better.

 

7) Listen to Music/ Draw/ Do Something Creative

 

I know you. You’re a bundle of creative energy bound together waiting to explode. Go do that. Whatever you enjoy doing, create something. Write a song, make a comic book, paste together a collage. Express yourself, and if you’re not in the mood for that – enjoy the expressions of others. Listen to music, read a poem, watch a movie.

 

8) Help Out Your Folks

 

We, adults, can seem like we’ve got it all under control. We don’t. We’re just as anxious, fearful and uncertain as you about this whole self-quarantine thing. None of us were around the last time something like this happened (the 1918 Spanish Flu epidemic). Anything you can do – helping take out the trash, cleaning up messes, even just trying extra hard not to argue with your siblings – can be a big help.

 

9) Talk to Friends and Family about How You’re Feeling

 

No one expects you to be a robot. These are trying times. It’s okay to feel a certain way about that. Share those feelings with someone you trust. And be a sympathetic ear for them to do the same. The best way we can get through all this is with each other’s help.

 

10) Know That You Are Loved

 

My dear precious little students! There are people out there who love you so much. There are people who would move Heaven and Earth to keep you safe. I know you’re scared and bored and anxious. But remember we’re in this together. And no matter where you are or what you’re doing there’s at least your crazy English teacher who loves you very much and can’t wait to see you all again.

 

Stay safe!

 

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Like this post?  You might want to consider becoming a Patreon subscriber. This helps me continue to keep the blog going and get on with this difficult and challenging work.

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Just CLICK HERE.

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Great Reading Must Be Felt, Not Standardized

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I made my classes cry today.

That sounds terrible, but if I’m honest, I knew it would happen and meant to do it.

I teach in an urban district and most of my 8th grade students are African American and/or impoverished. We’re reading Harper Lee’s classic novel “To Kill a Mockingbird” together, and the kids were loving it.

Until today when we got to the verdict in the Tom Robinson trial.

Jaquan closed his book with wide eyes.

“What the heck happened?” he asked.

Other students in the room murmured their agreement.

“They found him guilty!? What the F!?”

“I hate this book.”

“This is so freakin’ racist.”

I let them go on for a moment.

Frankly, it was the reaction I had been expecting.

It happens every year around this time.

Until this moment, my kids were really into the book. They were enjoying the case and excited by how well the defense attorney, Atticus Finch, had proven that Tom, a black man in the 1930s South, is innocent of raping a white woman.

But even last night I knew what was coming. The next day – today – I’d have to go and break their hearts when they read what the jury actually decides. Some of them were bound to be crushed. And today they were.

For those who haven’t cracked this book open in decades, let me recap.

There is no physical evidence that the crime actually took place. Moreover, because of a crippling injury as a child, Tom is physically incapable of perpetrating the crime in the first place.

In a world where black males could be tortured and killed just for whistling at a white woman – like Emmett Till – it’s clear that Tom is the victim, not the aggressor.
It seems like a slam dunk case. Yet the all-white jury finds Tom guilty, and ultimately he is shot 17 times in prison after losing all hope and trying to escape.

It’s no wonder that when we read that cascade of Guilty’s from the jury’s mouths today, my kids couldn’t believe it.

Some of my best students closed the book or threw it away from them.

So I let them express their frustrations. Some talked about how the story hit too close to home. They have family members in jail or who have been killed in the streets by police. One girl even told us that she’s never met her own mother. The woman has been locked away since the child was an infant, and because of a missing birth certificate, my student hasn’t even been allowed to visit.

“Mr. Singer, when was this book written?” one of the girls in the back asked.

“The late 1950s,” I said.

“I thought you were going to say it just came out.”

And so we talked about what the book has to do with things happening today. We talked about Eric Garner. We talked about Michael Brown, Trayvon Martin, Sandra Bland, Tamir Rice and Freddie Gray.

At a certain point, conversation ceased.

My class of rowdy teenagers became quiet. We could hear people stomping in the hall, a movie being shown a few doors down.

There might have been a few tears.

I knew it would happen.

Last night I debated softening the blow, preparing them for what was about to take place. When we read “The Diary of Anne Frank” a month ago, I made sure they’d know from the very beginning that Anne dies. It should have been no surprise to them when Anne and her family are captured by the Nazis. It’s scary and upsetting but not entirely unexpected.

However, with “Mockingbird” I just let events unfold. And I stand by that decision.

It’s frustrating and painful, but my students need to feel that. It’s something I can’t shield them from.

It’s not that they have never felt this way before. Many of them have experienced racism and injustice in their everyday lives. But for this book to really have the desired impact, they need to FEEL what the author meant. And it needs to come from the book, itself.

A book isn’t just sheets of paper bound together with glue and cardboard. It’s a living entity that can bite. That’s the power of literature.

I can’t in good conscience shield them from that. They need to see it and experience it for themselves.

Writer Flannery O’Connor put it like this:

“I prefer to talk about the meaning in a story rather than the theme of a story. People talk about the theme of a story as if the theme were like the string that a sack of chicken feed is tied with. They think that if you can pick out the theme, the way you pick the right thread in the chicken-feed sack, you can rip the story open and feed the chickens. But this is not the way meaning works in fiction.

“When you can state the theme of a story, when you can separate it from the story itself, then you can be sure the story is not a very good one. The meaning of a story has to be embodied in it, has to be made concrete in it. A story is a way to say something that can’t be said any other way, and it takes every word in the story to say what the meaning is. You tell a story because a statement would be inadequate. When anybody asks what a story is about, the only proper thing is to tell him to read the story. The meaning of fiction is not abstract meaning but experienced meaning, and the purpose of making statements about the meaning of a story is only to help you experience that meaning more fully.”

This is what our policymakers either misunderstand or forget when they demand we assess understanding with standardized tests.

The meaning of a story is not expressable in discrete statements A, B, C, or D. We wouldn’t read them if it was.

Every person is unique. So is every reaction to literature.

You can’t identify the meaning of this story on a multiple choice test. You can’t express what it means to YOU. All you can do is anticipate the answer the test maker expects. And that’s not reading comprehension. It’s an exercise in sycophantry. It teaches good toadying skills – not good reading strategies.

Perhaps that’s why Common Core encourages us to shy away from complex texts like “Mockingbird.” We’re told to focus on short snippets of fiction and to increase our student’s diet of nonfiction. Moreover, we’re told to stay away from narratives like Anne Frank’s. Instead, we should have our children read from a greater variety of genres including instruction books, spreadsheets, recipes – just the facts – because as Common Core architect David Coleman famously said, “No one gives a shit what you think or feel.”

Frankly, we don’t do a whole lot of that in my class. We still read literature.

Today, even after the blowout, we kept reading “Mockingbird.”

My kids suffered along with Jem and Scout. They reveled in Atticus’s example. They feared where it was all going.

And when class was over, a few of them had come around.

“This is such a good book, Mr. Singer,” one girl told me on the way out.

“Is Atticus going to die?” another asked to which I smiled and shrugged.

Jaquan stayed after the bell to ask his own question.

“Do you think in a hundred years things will be any different?”

“How do you mean?”

“I mean do you think people will still do things like THIS?” he said holding up his book.

I looked at him and swallowed.

“I don’t know, Jaquan,” I said. “But things are better now than they were. We can hope.”

He nodded.

I clapped him on the back and wished him a good weekend.

You don’t get that kind of reaction from Common Core, and you can’t assess it on a standardized test.

Students can’t ask such questions to computer programs.

They need teachers with the freedom to teach and assess as they see fit.

Otherwise, it is not just Tom Robinson that suffers a miscarriage of justice.

We all do.

Why You Should Thank Harper Lee for Tearing Down Your Childhood Hero

stevenmsinger Civil Rights, Compassion, Racism, White Privilege , , , , , , , , , , , ,

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It’s been more than 50 years since Harper Lee published her Pulitzer Prize winning novel “To Kill a Mockingbird.”

In that time, a lot has changed and nothing has changed.

Our schools are still highly segregated and unequal – but we justify that with standardized test scores. Our prisons are still disproportionately filled with black and brown people – but we justify that with the War on Drugs. Racial minorities are still gunned down in the street while their killers get off scot-free – but we justify that with a dysfunctional justice system.

Yes, we have our first black president but most people of color still live under the shadow of white privilege and a government sanctioned caste system.

Now comes “Go Set a Watchman” a book Lee wrote before “Mockingbird” but that works best as a sequel.

Does it matter? Is it still relevant?

I’d say yes.  After all, the original was written as people across the nation were struggling to overthrow the old racist system. And today many of their grandchildren and great-grandchildren are still engaged in that same struggle.

In a world where the majority cling desperately to colorblindness, it’s refreshing to read a book that proclaims black lives matter – even if it was written in the 1950s.

The most striking thing about the new novel is its portrayal of Atticus Finch. In “Mockingbird” he’s described as the quintessential hero – a white lawyer putting himself at great personal risk in a doomed attempt to defend an innocent black man. In “Watchman” Atticus is… well… a bit of a racist.

He’s 20 years older, has joined a neighborhood committee dedicated to keeping the races separate and we learn that at one time he had even been a member of the Ku Klux Klan.

How can we reconcile THIS Atticus with the one we remember from our childhoods? Is it even worth trying? Is the book worth reading?

Let’s start with the book’s literary value. Questions abound about its publication. Lee, 88, lives in a nursing home and is reportedly in ill health. After all this time, did she really want this book out there now or is that the result of overzealous publishers who know any book with her name on it will be a best seller? Moreover, her sister, Alice, served as a protector of Harper’s legacy but almost as soon as she died, the book was slated for publication.

And when you actually crack it open, it’s clear that certain passages are almost identical to others in “Mockingbird.” You can see how the one book lead to the other. Moreover, there are places that could use expansion and others that could use a bit of editing.

However, despite its shortcomings, from the first page to the last “Watchman” is like returning home to Maycomb County.

In the first chapter, we share a 20-something Jean Louise’s excitement on the train from New York south to visit her family, because we want to see these people again, too. Unlike a simple rereading of the classic “Mockingbird,” this time the characters have grown, changed and act in unexpected ways. Like our protagonist, though, we’re in for many a rude awakening.

Scout’s brother, Jem, is dead, and his absence is felt throughout most of the book. At first, I was angry about this. I thought it was simply bad writing, trying to artificially limit the characters. But then I realized Lee had already set up Jem’s demise back in “Mockingbird.” After all, their mother died around the same age from a heart attack – a congenital defect on her side of the family.

Jem’s absence is irksome because it’s real. Too many times in life people who mean so much to us just disappear leaving a hole never to be filled again.

Likewise, Dill is hardly to be seen. However, this shouldn’t be surprising. Both books are semi-autobiographical and his character is modeled after Harper’s childhood friend – Truman Capote. In the novel just as in life, our heroine, Scout/Harper, and Dill/Truman grew apart.

In his place we get Hank – a character never mentioned in “Mockingbird” but who apparently was around – somewhere. He serves as Scout’s boyfriend. Though he’s drawn a bit vaguely, through him we get to see the kind of woman Jean Louise has grown into.

The Scout of “Watchman” is different than her 6-8-year-old self, too. But it’s easy to see how the little girl of the previous book could become the intelligent but restless woman in this text.

Calpurnia is much changed. She no longer works for the family. In fact, she seems to have enclosed herself in the Quarter – the part of town where only the black people live.

With the U.S. Supreme Court ruling in Brown vs. Board of Education,  Maycomb’s black folks seem much less inclined to smile and nod and serve every passing whim of white people. They have an inkling that maybe things could be different, that maybe they’re entitled to equal rights, after all. And these new possibilities come between Jean Louise and the woman who raised her more than any other.

Calpurnia is the one who explained to her what it means to be a woman. She explained everything from menstruation to sexual intercourse. Yet these new possibilities in social justice make it impossible for the two women to have a proper homecoming.

I wonder: would Jean Louise really not begrudge Calpurnia all the rights and privileges she so easily expects as her own right? It’s hard to say but still very sad.

On the other hand, Aunt Alexandra hasn’t changed much. She’s still disapproving, tyrannical yet emotional. Likewise, Uncle Jack is much the same. He’s grown more eccentric but it’s easy to recognize the friendly doctor who bandaged Scout’s hand after she punched her cousin for calling her father a racial epithet in “Mockingbird.” And neither does Atticus seem drastically different at first. He’s older and suffers from terrible arthritis. But at first glance he’s the same caring, wise paternal figure of our remembrances.

For about 100 pages the book is a mostly meandering return to a world we never thought we’d see again. Then everything changes with the bombshell of Atticus’ recent pro-segregation activities.

How can it be possible? Can this really be Atticus Finch? Or is this just bad writing?

We know the character is based on Harper’s own father, Amasa Lee. Is this really more of a portrait of the real man than the fictional one?

It’s hard to say. But as we read on it becomes clear that, yes, this is still the Atticus we remember. But we didn’t know him as well as we thought.

(WARNING: Limited spoilers ahead.)

The heart of the novel is when Jean Louise confronts her father about his seemingly new attitude. In typical Atticus style, he argues with her almost like he was defending himself in court. Some of his defense makes a weird kind of sense. He says he briefly joined the Klan just to see who was behind those hoods. He wanted to know whom he was dealing with. Moreover, his participation in this segregation society was to serve as a moderating influence. He wanted to make sure they didn’t get up to too much trouble.

But this is only half an answer. As he continues, it becomes clear that Atticus actually does believe some of the racist rhetoric of his times. He really doesn’t want black people and white people to be put on an equal footing. He justifies this by saying black people aren’t ready yet. They haven’t been prepared for the rights and privileges of white folks. Maybe some day they will be, but not today.

It’s a disgusting and patronizing argument – infantilizing an entire people. And hearing this out of Atticus mouth – it’s like seeing a spider crawl across a gorgeous face.

Similarly creepy is his appeal to state’s rights – an argument we still hear today from our Tea Party friends. Perhaps it WAS Southern white people’s responsibility to raise up the people of color in their midst – but if they weren’t going to do it, it was past time that someone did!

Scout doesn’t let her father get away with any of this. She does her best to verbally destroy him and run away forever.

But before she can escape, she runs into her Uncle Jack. What he does is equal parts rationality and sexism. I can’t imagine any modern author resolving the story this way. Perhaps that’s for the best. In some ways, Uncle Jack’s actions are more disturbing than Atticus’ opinions.

In the end, Scout learns to accept her father for who he is. Yes, he is dead wrong about black people, but most of the time he’s still the same loving Atticus. It’s a good point. How many people do you love who believe reprehensible things? Probably a lot. That doesn’t mean you stop loving them.

I’d say that’s the central point of the novel. Each of us is responsible for creating our own conscience. We can’t rely on any value system that comes to us prepackaged. We have to examine every facet of our worlds and decide what it is we truly believe. And in doing so we’ll probably reach divergent opinions.

The only way Lee could do that was by showing us the heroic Atticus as nothing but a flesh and blood human being, full of the same frailties and mistaken thinking.

In the end, Scout’s thoughts seem more modern than anyone else’s in the book, more in line with our own views about social justice. But her conclusion only goes so far. We’re still left with questions. How do we reach loved ones who disagree with us? How can we tell if our own ethical intuitions are correct? How can white folks best help people of color secure their rightful place in society?

None of these have answers, but Lee is still asking the right questions. More than 50 years later, we’re still searching for solutions.