Student Projects are Better Than Tests 

 
 
The class was silent. 


 
Students were hunched over their desks writing on paper, looking in books, consulting planners.  


I stood among them ready to help but surprised at the change that had overcome them.  
 


Maybe 10 minutes before I had heard groans, complaints and the kind of whining you only get from students at the end of the year.  
 


“Do we have to keep doing work!?” 
 


“Can’t we just watch a movie!?” 
 


“Ms. X- isn’t doing anything with her students!” 
 


And then I dropped the bomb on them.  
 


We had less than 3 weeks left in the school year. We had just finished our last text. In 8th grade that was “To Kill a Mockingbird” by Harper Lee. In 7th grade it was “Silent to the Bone” by E.L. Konigsburg.  
 


Now was the time for the infamous final project.  
 


Some kids asked me about it at the beginning of the year having heard about it from a brother or sister who had already graduated from my class. 
 


“Mr. Singer,” they’d say, “Is it true you give a 1,000 point project at the end of the year?” 
 


I’d laugh and ask who told them that, or if that sounded credible.  
 


“Do you really think I’d give a 1,000 point project!?” I’d say in my most incredulous voice, and they’d usually laugh along with me.  
 


But some of them still believed it.  
 


That was nearly 9 months ago. Yet it all came flooding back when I passed out the assignment sheet.  
 
 
 


 
In the world of education there are few truths more self-evident than this
 


Projects are better than tests. 
 


Just think about it for a minute. 
 


On the one hand you have a project – an extended group of related assignments demonstrating learning and culminating in a product of some sort – a paper, a poster, a movie, a presentation or some mix of these. 
 


On the other hand you have a test – a quick snapshot of skills taken out of context.  
 


Which do you think is the better assessment? 
 


Imagine a musician.  
 


You could have her answers questions about notation, rhythm and theory…. Or you could just have her play music.  
 


Which would best demonstrate that she can play? 
 


It’s the same with other subjects.  
 


Take a test on reading – or actually read.  
 


Take a test on writing – or actually write.  
 


Take a test on math – or actually….  
 


You get the picture.  
 


And so did my students.  
 


I place a huge emphasis on writing in my English Language Arts classes. In 8th grade, my students have already written at least a dozen single paragraph and two multi-paragraph essays. So they’re pretty familiar with the format. I try to get them to internalize it so that it’s almost second nature.  
 


So when the final project comes along, it’s really a culmination of everything we’ve done.  
 


In Harper Lee’s book, there is the symbol of the mockingbird: 
 


“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.” 
 


We already discussed how several characters in the book could count as mockingbirds – Tom Robinson, Atticus Finch, Boo Radley, etc.  


 
So I have students write about mockingbirds in all of the texts we’ve read this year. That includes “The Outsiders” by S. E. Hinton, “The Diary of Anne Frank” and several short stories.  


 
In 7th grade, we’re at a slightly different place. 


 
At the end of the year, students have written nearly as many single paragraph essays but no multi-paragraph ones yet. I use the final project to introduce them to the concept and explain how it’s the culmination of what we’ve done before.  


 
Students write about characters that they like from all the stories we’ve read throughout the year. These would be characters from texts as diverse as the one by Konigsburg, “The Giver” by Lois Lowery, “A Christmas Carol” by Charles Dickens and several short stories.  


 
As projects go, it’s kind of narrow.  
 


In the past, I’ve had students make movies together interviewing various characters from their texts. I’ve had them design posters extolling various aspects of the Civil Rights movement. I’ve had them design graphics explaining the difference between internal and external conflict.  
 


But this is the end of the year – time to keep it simple.  
 


There’s actually a lot of research supporting this kind of assessment. 


Two separate studies were published by Lucas Education Research with Michigan State University (MSU), the University of Southern California (USC), and the University of Michigan. Researchers took either high school students or third graders and put them through a Project Based Learning (PBL) curriculum. 


The high school experiment conducted by MSU and USC involved 6,000 students in science and humanities from 114 schools about half of which were from low-income households. Students who were taught Advanced Placement (AP) U.S. Government and Politics and AP Environmental Science with a PBL approach outperformed their peers on AP exams by 8 percentage points in the first year and were more likely to earn a passing score of 3 or above, giving them a chance to receive college credit. In the second year, the gap widened to 10 percentage points. One key finding of the study, which included large urban school districts, was that the higher scores were seen among both students of color and those from lower-income households. 


The experiment with third-graders produced similar results. Students from a variety of backgrounds in PBL classrooms scored 8 percentage points higher than peers on a state science test. These results held regardless of a student’s reading level. 


 
In some ways, this should be obvious.  


When you put assessment in context it is more accurate. When you divorce it from its academic context (as you do with tests) it’s more abstract and less accurate. 
 


The problem is one of time and ease of execution. 
 


Put simply – tests are easy to give and grade. Projects are difficult.  
 


Even designing a good project can take lots of trial and error. Tests are often prepackaged and easy to design – you just have questions clustered around whatever skills you were hoping students would learn. 
 


It is very difficult for teachers to design entire courses with projects at every step of the way. Some might say it isn’t even desirable since such a course would probably not be able to cover as much material as traditional curriculum and it is generally preferable to use different modes of assessment in a single course. Let’s not forget that some students excel at tests and would suffer academically if the only kind of assessments were project based.  
 


My personal philosophy is one of moderation. Use projects when you can and when appropriate – but not always. And if you’re going to test, a teacher created assessment is orders of magnitude more valuable than a standardized one. 


 
And in terms of projects, the best is at the end. What better way to demonstrate the cumulative learning of a course than through a cumulative project?  


My students seem to agree. 


 
After the initial anxiety of such a hefty project, my kids in both grades settle down pretty quickly and get to work. I think they find the project comfortable because they’ve been exposed to almost every part of it before. This just brings it all together under one project.  
 


It’s the opposite of learned helplessness. Students already know they can do it. All they have to do is step up and get it done. 
 


That’s also why I make the project worth such a huge amount of points.  
 


I already double points for the last grading period. Doing that and having such a hefty final project sends the message to kids that they can’t slack off now. The work they do in the closing days of school will have an outsized impact on their grade. If kids care at all about that – and most still do in middle school – they’ll make the effort.  
 


It also helps fill the last few days and weeks with a focus on process. Nothing has to be memorized. Nothing is beyond anyone’s ability. We’re going to work together – each student and me – to make sure the final project gets done.  
 


Usually they accomplish it with flying colors.  
 


It’s something they often remember and pass on in legend to their younger siblings who bring it up in hushed tones when they enter my classroom for the first time. 


 

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Reading for Pleasure – One of The Most Important Lessons in School

“Children should learn that reading is pleasure, not just something that teachers make you do in school.”

― Beverly Cleary

If you ask most middle school children whether they like to read, the answer is usually no.

However, for the last few weeks, my 7th graders have been coming into my class and remarking about the 8th grade books they find left on their desks.

“Oh! The Outsiders! I hear that’s a really good book!”

“When are we going to read this, Mr. Singer?”

“Can I take this home?”

That’s what you get when you pique a student’s interest – even a reluctant reader.

The problem is one of speed and instant gratification.

Today’s children have a multitude competing for their attention.

Video games, social media, TikTok videos – they haven’t the time to sit down with a book.

Doing so seems like something an old person would do or at least something too hard for them to enjoy.

I remember when I was growing up, my father always read Stephen King paperbacks. I still remember the covers of some of those books. The snarling Saint Bernard of “Cujo.” The empty boy’s face of “The Shining.” And “Night Shift” with its creepy bandaged hand slowly coming unraveled to reveal eyes growing under a knuckle…

I wanted nothing more than to read these books and understand what it was that lurked inside the covers.

But today a lot of novels are eBooks. If they have covers, they aren’t visible in the hands of those reading them. They aren’t left on display on a shelf. They’re nearly invisible.

The very idea of books seems like something beyond the reach of many adolescents.

That’s where teachers come in.

We need to dispel these myths, to help our students overcome them.

That means (1) reading books together in class, and (2) allowing kids self-selected reading.

First, we have to actively show kids that reading can be fun.

This means picking the right books to read as a class and trying to make the experience pleasurable.

Luckily there are some classics of young adult literature that rarely disappoint – S. E. Hinton’s “The Outsiders”, Lois Lowery’s “The Giver”, Ellen Raskin’s “The Westing Game”, Louis Sachar’s “Holes”, etc.

If you can catch a child’s imagination and place it in a community of learners, the result is both an individual and a social phenomenon.

Each child has his or her own experience, but it is enhanced by the thoughts and comments of others. Trying to solve the secrets of the society in “The Giver” isn’t just something you do alone – it’s a shared endeavor with your peers. Trying to decide what you’d do in the place of Ponyboy from “The Outsiders” isn’t just an academic thought experiment – it’s a way of expressing your thoughts and values and seeing them reflected, absorbed or enhanced by those around you.

However, this can’t always be done in a group setting. And the teacher can’t be the only person guiding the experience.

You have to give students the respect to make their own choices about what they read, too.

Let them choose books from the library and read them silently in class. There can be a culminating assignment like a book report or a book circle at the end of the month, but it has to be driven by individual curiosity.

This is all easier said than done.

Some years the books I pick for my students are a hit. Some years they aren’t.

Things are especially difficult now as we’re just healing from the Covid-19 pandemic. Students are just starting to get back on track and relearn all the social and academic skills they lost in years of quarantine and uncertainty.

I’m finding “The Giver” to be a harder sell this year than in most previous years. Many students want a more immediate and personal story. But some are entranced by the mystery and way the society deals with budding adolescence.

“The Outsiders”, though, is a raging success. My students don’t want to put it down or stop discussing the story. In fact, their enthusiasm is turning into rumors that have spread from grade-to-grade. However, they also aren’t as interested in racing through it toward the end as students from others years have been.

The biggest challenge is always silent reading.

The very idea of sitting down with a book and quietly reading it is entirely alien to some kids. They look around the room or try to sneak their cell phones out of their pockets – anything but turn their eyes to the pages in front of them.

It comes down to (1) finding a book that will interest the individual, and (2) one that they can easily read.

Unless you’re a librarian, it can be really hard to match students and books. As a classroom teacher I know some books that other students have enjoyed in the past and even have a few handy. For example, “Tears of a Tiger” by Sharon Draper is a story a lot of my more mature readers have gotten into – especially children of color. It tells the story of a boy who is dealing with the death of a friend who was riding in the boy’s car while he was driving drunk.

However, I don’t know the entire spectrum of children’s literature as well as a dedicated middle school librarian would. My school used to have one of those and she was brilliant at accomplishing the goal of suggesting books to students. These days, though, we have one librarian for the middle school and high school. That’s just too much ground to cover for any individual. Moreover, when you don’t dedicate your library to reading or research, you lose an incredible resource. There is far too much time when the library is closed for standardized testing or the librarian is asked to teach a class or proctor a study hall.

When it comes to matching a student to a book with a proper reading level, there are tools like Accelerated Reader which gives each book a level and tests students to find out their ability. However, the last thing we need is more standardized testing and computer software. An actual living, breathing librarian who has the time to know students and the literature is better than any technology in the world.

The point, though, is that no matter the challenges, we, as teachers, have to try.

It isn’t our job to simply teach children HOW to read. We have to encourage them TO read. We have to SHOW them that reading can be one of the most enjoyable pastimes in the world.

It may be out of touch with our modern society, but that is why it is so valuable.

Through books we can access any place – even places that never existed. Through books, we can talk with anyone in the entire history of time – even people who were never born.

And in doing so we gain access to that secret part of our own mind – our imagination – and build it into something strong and vibrant.

Few things are more important.

Creating lifelong readers – not a bad way to spend a teaching career.

“One child, one teacher, one pen, and one book can change the world.”

-Malala Yousafzai


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‘To Kill a Mockingbird’ is Still Relevant Because it Forces Us to Confront Ourselves 

 
 
Parris is peering into a crumpled paperback with a huge smile on his face. 


 
“Mr. Singer, I love this book…” he says.  


 
He stops, pauses and adds, “I hate what’s happening, but I love the book.” 


 
In my middle school classroom, that’s a pretty routine reaction to Harper Lee’s classic, “To Kill a Mockingbird.” 


 
My 8th grade students approach the climax and resolution with equal parts dread and delight.  


 
But it doesn’t always start that way. 


 
No book I teach has gone through a greater change in cultural opinion than “Mockingbird.” 


 
It used to be considered a bastion of anti-racism. Now some folks actually consider it to be racist. 


 
The story is about Scout and her brother Jem as they grow up in Alabama during the Great Depression. Most of the drama centers on their father, Atticus, who defends a black man, Tom Robinson, in court against trumped up charges of raping a white woman.  


 
Ever since its publication in 1960, people have tried to ban the book from school libraries and from school curriculum.  


 
And that’s still true today. However, this used to be the work of the far right. Today there are almost as many objections from the far left – though for very different reasons. 


 
For 50 years, the biggest complaints came from conservatives about the book’s strong language, discussion of sexuality, rape, and use of the n-word. Though today you’ll find almost as many on the left proclaiming that the book actually perpetuates the racial intolerance it purports to be against. 


 
Republicans have become more extreme than ever. They see any discussion of race as “Critical Race Theory” – a conflation of a legal framework not actually taught in K-12 schools with any substantive discussion of racial inequality. It’s really just a simple dog whistle to try and shut down any discussion of the racial status quo. 


 
Teachers have become accustomed to conservatives hyperventilating that discussing racism and prejudice might mean having to admit these things still exist and therefore requiring us to do something about them. They’re terrified their kids might come to different conclusions about the world than their parents, and instead of confronting their own views with the facts, they prefer to sweep reality under the rug to preserve the fictions underlying their ideologies. 


These sort of complaints are typified by the Biloxi Public School Board in Mississippi which in 2017 removed Lee’s Pulitzer Prize-winning novel from its curriculum because, “It makes people uncomfortable.” 


 
What they don’t seem to realize is that the discomfort is part of the point. 


 
On the other side of the coin are people on the other pole of the political spectrum. Writers like Kristian Wilson Colyard don’t object to a discussion of racism and prejudice. They think “Mockingbird” doesn’t go far enough – or at least that the discussion it has is framed incorrectly. 


 
Colyard doesn’t think the book should be banned or removed from libraries, but instead insists it isn’t a good teaching tool.  


 
She writes


“Lee’s is not the best book to teach white kids about racism, because it grounds its narrative in the experiences of a white narrator and presents her father as the white savior.” 


While I think Colyard has a fair point of literary analysis, I don’t agree with her conclusion.  


At first glance, there is something strange about approaching racism through the lens of white people, but that doesn’t make it invalid. In fact, racism is a product of whiteness. In this country, white people are the ones doing it. Therefore, it makes sense to speak directly to and from the experience of white people. 


 Oppression, after all, is relational. It takes both the experience of the oppressed and the oppressor to fully understand it. And if we want to help end the cycle, it makes sense to show the oppressor how to bring that about. 


Moreover, the book sneaks up on its themes. There’s very little about outright intolerance on the first page or even the first few chapters. The idea creeps up on you as the narrator slowly becomes aware of the prejudices around her and the trial comes deeper into focus. 


As to the question of white saviorism, I think this is more often a buzzword than a legitimate criticism. White people are not heroes for attempting to put right something they put wrong. It is their responsibility, and seeing someone do that in fiction is a really powerful thing.  


Atticus doesn’t think he’s saving his client Tom Robinson. He doesn’t think he’s special for doing so. He’s doing what he thinks is right. Now Scout certainly views this through rose-colored glasses and lionizes him for it, but that’s a character’s point of view. It’s up to the reader to look at all this critically and come to your own judgement about it.  


Frankly, I think that’s one of the real values of the book. It provides a deep narrative, well told, for readers to examine and discuss very complex issues.  


 
If you think Atticus is given too much credit for what he does, that’s something you can discuss with other readers. I don’t see how doing so cheapens or hurts the cause of antiracism.  


In addition, the problem of centering the story on the white people is rectified by reading more widely in the literature. “Mockingbird” shouldn’t be the only book on the topic you read. To be well-rounded, you should read more from the point of view of people of color subjected to white people’s intolerance. And there are so many wonderful books to choose from – Toni Morrison’s “Beloved,” Ralph Ellison’s “The Invisible Man,” Alice Walker’s “The Color Purple,” etc.  


However, teachers shouldn’t be made to feel like they’ve wasted an opportunity by using “Mockingbird” in the classroom – even if it’s the only book that year they read on this topic. There must be more opportunities in years to come. Racism and prejudice should not be a one-and-done topic in US schools. It is too important for that. 


In my classroom, this book is far from our first discussion of the issue.  


We talk about Fred Hampton and the Black Panther Party. We talk about the 1968 Olympics Black power fist. We talk about Black cowboys like Bass Reeves. We talk about Bessie Coleman, Angela Davis, James Baldwin, and so many others.  


When we read S.E. Hinton’s “The Outsiders,” – a book that almost entirely eschews the topic – I make sure to point out that the narrative takes place in and around Tulsa, Oklahoma, and we discuss Black Wall Street and the massacre of Black people perpetrated by their White neighbors.  


And so when we get to “Mockingbird,” the discussions we have of the text is rich and deep. Students of color feel seen because of the book’s portrayal of the kind of racial injustice they experience in their own lives. Likewise, white students feel empowered to join in the struggle against it. 


When the verdict of the trial comes down, there are real tears and stares of disbelief.  


One of my students this year, Mya said, “I shouldn’t be surprised, but I thought it was going to turn out differently.” 


Me, too. Every time I read it. 


The book confronts students with the world as it is and challenges them to do something about it.  


White or Black, it holds up the reality of injustice and demands we take a side.  


And that’s why this book remains relevant and just as important today as it ever was. 


 

 

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I’ve also written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

The Absurdity of PROTECTING Kids from the Holocaust Narrative ‘Maus’ 

 
Nudity and bad language.  


 
That’s a Tennessee school board’s excuse for banning Art Spiegelman’s graphic novel “Maus.”  


 
Not Holocaust denial.  


 
Not antisemitism. 

Not a hundred other things they don’t want to admit to themselves about themselves.


 
It was simply a dirty drawing and some curse words. 


 
The graphic novel focuses on the cartoonist and his estranged father. Spiegelman slowly unravels the true story of how his dad survived the Holocaust. All the while, the son draws the narrative portraying Jewish people as mice and Germans as cats. 

It’s a work of literature that looks directly into the unfathomable and recontextualizes it into something we can attempt to understand.

The committee at Columbia University awarded the story a Pulitzer Prize – the only graphic novel yet to win such a prestigious award.

But the Tennessee school board awarded it their walking papers.

And why?

Naughty words and risqué images.


 
In particular, the board objected to eight bad words and the drawing of a nude woman.  


 
On its Website, district administrators posted the following explanation of their action


 
“One of the most important roles of an elected board of education is to reflect the values of the community it serves. The McMinn County Board of Education voted to remove the graphic novel Maus from McMinn County Schools because of its unnecessary use of profanity and nudity and its depiction of violence and suicide. Taken as a whole the board felt this work was simply too adult-oriented for use in our schools.” 


 
Can you imagine living in a community that values refraining from swear words and covering up the human body more than telling the truth about genocide


 
Can you imagine putting a premium on decorum and propriety over an honest portrayal of events? 


 
And who are the McMinn County Board of Education to say these words and this image are “unnecessary” to tell the story!? 


 
It’s the Holocaust! It’s not a Disney theme park! 


 
If you’re talking about the systematic murder of 6 million Jewish people and 5 million non-Jewish people, wouldn’t it be appropriate to use some bad language!?  


 
To their credit, the image the school board objects to isn’t one of mice being tortured and murdered in a concentration camp. It’s not the genitals of naked mice – after all, aren’t mice always naked?  


 
It’s the drawing of the author’s mother who couldn’t live with the atrocities she endured and committed suicide. His father discovers her naked body in the bathtub.  


 
There’s nothing salacious about it.  


 
It’s shocking. It’s disturbing. It’s deeply sad.

But that’s exactly what it’s meant to be.

To react – as this board has – is the height of callousness.

Here we have the story of so many deaths, so many murders, and all they can do is decry the way it is told.

As a person of Jewish ancestry, it hits me hard.

Imagine being told that the story of your family’s murder is only acceptable if it isn’t upsetting.

It’s only acceptable if it doesn’t provoke a reaction in your heart – only if it keeps your eyes dry and your throat unstopped.

But that’s the point! It SHOULD be upsetting! It should hurt your heart! It should make your eyes leak and your throat close up.

However, school director Tony Allman said something that disproved the fiction that the board’s action was limited to pure decorum.

In the meeting minutes he was quoted as saying, “It shows people hanging, it shows them killing kids, why does the educational system promote this kind of stuff? It is not wise or healthy. Being in the schools, educators and stuff we don’t need to enable or somewhat promote this stuff.” 

You’re wrong, Sir.

You DO need to promote this stuff.

Not encourage people to engage in future Holocausts but to promote that it DID happen so that it will not happen again.

Because on Oct 27, 2018, it happened again at the Tree of Life synagogue in my hometown of Pittsburgh when a gunman killed 11 and wounded six.


 
In August 2017, it happened at the “Unite the Right” rally in Charlottesville, Virginia, when hundreds of marchers threw Nazi salutes and waved Swastika flags while shouting “Siege Heil” and “Jews will not replace us!”

The Anti-Defamation League (ADL) recorded more than 2,100 acts of assault, vandalism and harassment against Jewish people in 2021 – an increase of 12 percent over the previous year. This is the highest level of antisemitic incidents since ADL’s tracking began in 1979. This includes five fatalities directly linked to antisemitic violence and another 91 individuals targeted in physical assaults. 


Assault, harassment and vandalism against Jews remain at near-historic levels in the U.S.


The Federal Bureau of Investigation’s 2020 hate crime statistics showed not only that hate crimes were up for all minority groups, but crimes targeting Jewish people made up 54.9% of all religious bias crimes. 

According to the American Jewish Committee, nearly one out of every four Jews in the U.S. has been the subject of antisemitism over the past year.


Seventeen percent of respondents in the committee’s survey said they had been the subject of an antisemitic remark in person, while 12% said they were the victim of an antisemitic remark online. Three percent of Jews who responded to the poll said they were the target of an antisemitic physical attack. 

And this school board thinks the problem is a book that merely reports such events in the past.

Your children don’t need protection from the STORY of the Holocaust.

They need protection from the Holocaust, itself.

They need protection from it happening again – from the kind of violence and bigotry on the rise today.

They need protection from becoming the mice.

They need protection from becoming the cats.

They need adults brave enough to take a stand against these horrors.

It’s just too bad that you aren’t brave enough to do it, yourselves.


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I’ve also written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

Diane Ravitch’s New Book is a Fun and Breezy Romp Through the Maze of School Policy

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Imagine you could talk with Diane Ravitch for 10 to 15 minutes everyday.

 
That’s kind of what reading her new book, “The Wisdom and the Witt of Diane Ravitch”, is like.

 
You’ve probably heard of Ravitch before.

 

She’s the kindly grandmother you see on the news who used to think standardized tests and school privatization were the way to go but actually had the courage to pull an about face.

 

She’s that rare thing in public policy – a person with the honesty to admit when she was wrong — and even lead the resistance to everything she used to believe in!

 

Now she champions teacher autonomy, fair and equitable school funding and authentic public schools with duly-elected school boards.

 

Her new book is full of shorter pieces by the education historian from all over the mass media – The Wall Street Journal, The New York Times, Huffington Post and even her own blog.

 
You’ll find an article explaining why she changed her mind about school reform nestled next to a reflection on what it’s like to grow up Jewish in Texas. Here’s a succinct take down of President Obama’s Race to the Top next to an article extolling the virtues of student activism in Providence. Ever wonder what Ravitch would say to her mentor Lamar Alexander about our current Education Secretary Betsy DeVos? It’s in there. Ever wonder what books on education she would recommend? It’s in there.

 
This new book from Garn Press is more personal than anything I’ve seen from Ravitch on the shelves before. And that’s because it’s not part of a sustained argument like “The Life and Death of the Great American School System,” or “Reign or Error.” It’s a collection of vignettes taken from the last decade of her writing. These are flashes of inspiration, snippets of thoughts, bursts of criticism and humor.

 
They’re perfect for perusing and really quite addictive.

 
I found myself jumping from an article in the first 20 pages to one at the end to another in the middle. There’s no reason any of it needs to be read chronologically though they are organized in the order of publication.

 
It’s really a lot like talking to Diane, something that I’ve had the privilege to do on a few occasions. Like any conversation, topics come up organically and you go from one to another without rhyme or reason.

 

 

At least that’s how I read the book.

 
It would be perfect in your school’s teachers lounge. Educators could pick it up at lunch or during their planning periods and use it as a springboard to talk about almost any issue that comes up during the day.

 
Well, it would be perfect if we ever actually had that kind of time.

 
I found myself repeatedly interrupted when trying to read it. But that’s actually not a problem. Given the brevity of the articles and their impressive concision, it doesn’t matter if you have to put a bookmark in the middle of a chapter here or there. It’s easy to pick up the thread and continue later.

 
There are so many highlights, but one of my favorites is “Don’t Like Betsy DeVos? Blame the Democrats” where she writes:

 

 

“I contend that it is immoral, unjust, and inequitable to advocate for policies that hurt 95% of students so that 5% can go to a private school. It is even more unjust to destabilize an entire school district by introducing a welter of confusing choices, including schools that open and close like day lilies. Why don’t the advocates of school choice also advocate for funding to replace the money removed from the public schools?”

 
Or how about “Flunking Arne Duncan”? I must admit, the title alone made my heart give a little cheer. Ravitch gives the former Education Secretary the following report card which deserves to be blown up to poster size and displayed in every classroom in the country:

 

 

“Report Card: Arne Duncan
Fidelity to the Constitution                                       F
Doing what’s right for children                               F
Doing what’s right for public education                F
Respecting the limits of federalism                        F
Doing what’s right for teachers                               F
Doing what’s right for education                            F”

 
As a public school teacher, I must admit getting an inordinate amount of pleasure from Ravitch’s criticism of the fools and frauds writing school policy. But she has a lot to say on so many subjects – standardized testing, Common Core, even the basic greed underlying the whole political mess.

 
Consider this gem from “What Powerful and Greedy Elites are Hiding When They Scapegoat the Schools”:

 

 

“I have nothing against the wealthy. I don’t care that some people have more worldly goods than others. I understand that life’s not fair. I just harbor this feeling that a person ought to be able to get by on $100 million or so and not keep piling up riches while so many others don’t know how they will feed their children tonight.”

 
I could offer a dozen more quotes from the book. My copy looks like a rainbow with all the different colored highlights I’ve made through its 451 pages.

 
So if you want my advice, go out and buy “The Wisdom and Wit of Diane Ravitch.” It’s a fun and breezy romp through the maze of school policy.

 
Just keep a good supply of highlighters and bookmarks handy.


 

Like this post? I’ve written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

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Public School Students are Being Erased From TV, Movies and Other Media

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Ninety percent of America’s students go to public schools.

 

But you wouldn’t know that if you opened a book, turned on the TV or went to a movie.

 

The media is engaged in a disinformation campaign erasing public schools and public school students from our entertainments.

 

It’s another way marketing and advertising is forced down our throats and into our leisure hours.

 

Not only do the multi-billion dollar corporations who fund these entertainments want to convince us we need this pill, that appliance, those technological doo-hickeys — they need to cajole and inveigle us that we need school privatization, too.

 

And what better way to do that than to give us heroes that  – what-do-you-know – just happen to go to charter, voucher and private schools?

 

No one takes Betsy DeVos, the billionaire heiress who bought her position as education secretary to tear down public schools, seriously. But we certainly do when it comes to Hollywood, the Boob Tube and Young Adult literature.

 

Take Miles Morales, an Afro-Latino Spiderman, who just made his big screen debut in Marvel’s “Spiderman: Into the Spiderverse.”

 

It’s refreshing to see the iconic Spideysuite worn by a character of color, but why change his alma mater, too?

 

The original webslinger, Peter Parker, was an everyperson teen who went to a public school. But Morales goes to a private school in the movie and a charter school in the comic books on which the film is loosely based.

 

 

Then we have “The Kid Who Would Be King” a modern day retelling of the King Arthur legend. In the film, Alex finds Excalibur and becomes king – while attending a British academy, the U.K.’s version of an American charter school.

 

And let’s not forget “The Hate U Give.” In both the book and the movie, the protagonist, 16-year-old African American Starr Carter, deals with a white police officer murdering her black friend. And her struggle is worsened by the incomprehension she meets at her mostly white, privileged private school.

 

Why are all these stories taking place where a tiny sliver of kids are educated?

 

What happened to all the public school students?

 

It’s not like privatized education has ever been starving for representation in the mass media.

 

If anything, private schools have historically been overrepresented – Lord of the Flies, A Separate Peace, Dead Poets Society, Catcher in the Rye, etc.

 

At least in the past you could count on the default setting for kids to be public school. Unless it was an integral part of the plot, it was just assumed that everyday kids went to everyday public schools.

 

John Travolta and Olivia Newton John dreamed of those summer nights, but they went to Rydell High.

 

Molly Ringwald and the rest of the Breakfast Club attended Saturday detention, but during the week they were in class at Shermer High.

 

Sarah Michelle Gellar’s Buffy and co. fought off vampires, but they had homework at Sunnydale High.

 

Even Bella Swann navigated her vampire-werewolf love triangle at Forks High!

 

But today’s fictional teens wouldn’t be caught dead in one of those traditional institutions.

 

 

And nothing could be more unrealistic!

 

 

We’re whitewashing the reality to make America’s children and parents feel deficient for the schools they actually attend and – for the most part – are quite satisfied with.

 

 

It’s not about representation for the 10 percent enrolled in privatized schools. It’s about expanding the market to get more children and families to abandon public schools and pony up the dough (or siphon off the taxes) to enroll in these institutions, too.

 

Or at least TRY to enroll.

 

 

MILES MORALES

 

 

 

 

 

Back in 2011, when writer Brian Bendis and artist Sara Pichelli created Morales for Marvel comics, he was a reaction to the election of Barack Obama. As such, even his schooling had to reflect that.

 

In Ultimate Comics Spider-Man, he is shown winning the last spot in a charter school lottery to enroll in Brooklyn Visions Academy.

 

 

The comic book panels mirror almost frame-for-frame the school privatization propaganda film “Waiting for Superman.” Pro-charter school Obama becomes pro-privatization Spider-man.

 

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It’s almost like the big corporations who own the super heroes can’t tell who the good guys and the bad guys are anymore.

 

Here we have an American icon hawking a solution to child education that increases segregation, does away with duly-elected school boards, does away with the kinds of regulations that protect kids’ rights and instead allows unscrupulous charter operators to reduce services for children and pocket the difference.

 

It’s like watching Mickey Mouse explain how your folks should invest all their money with Bernie Madoff.

 

For some reason, in the movie version Morales’ charter school is rewritten as a private school for smart kids. I wonder why they made the change. It’s almost like there’s no appreciable difference between private schools and charter schools. And there isn’t!

 

THE KID WHO WOULD BE KING

 

 

 

Speaking of which, let’s examine the strange case of “The Kid Who Would be King.” The movie is technically not out yet, so it’s hard to see if it will make much use of its apparent Academy setting.

 

However, the trailer includes lots of shots of kids in traditional prep school dress with a stylized formal crest on blazers and pants. It almost seems like the setting is little more than an excuse to embrace a certain aesthetic in the costumes more than a plot point.

 

Or perhaps the marketing department just wants moviegoers to associate the film with the Harry Potter movies.

 

After all, Hogwarts is the ultimate in quasi-privatization. Special kids go to a special school where they are taught special classes. It’s never quite clear how it’s all paid for, though the kids do have to buy their own supplies.

 

 

Would “The Kid Who Would Be King” be any better if the kids in it went to public schools? They certainly would be more relatable to the average child.

 

First conceived in the early 2000s, British academies are not bound by national rules for staffing and curriculum, and receive more money from the government for administration while reducing funding to the traditional schools nearby.  However, according to a new peer-reviewed study by the London School of Economics, primary academies have not been able to meet the promise of increasing test scores.

 

The authors conclude:

 

“The English government has radically restructured its school system under an assumption that academisation delivers benefits to schools and students. There is neither any sign of a positive effect nor any suggestion that benefits might be increasing with years of exposure. If anything, the opposite is the case.”

 

Oh whatever! The blazers look nice!

 

THE HATE U GIVE

 

 

And that brings me to “The Hate U Give.”

 

 

Starr’s private school does at least seem to be important to the plot. After her best friend is gunned down by a gangbanger, a 10-year-old Starr is sent to Williamson Prep, a private school in the white suburbs. The family remains in the neighborhood and even takes great pride in living among other black people. But for some reason the idea of public school and the trauma of this event are entwined in their minds. They want more for Starr than just a public school experience.

 

Consider this bit of narration:

 

“The high school is where you go to get jumped, high or pregnant. We don’t go there. Williamson is another world. So when I’m here, I’m Starr version 2. Basically Williamson Starr doesn’t give anyone a reason to call her ghetto. And I hate myself for doing it.”

 

 

Years later, she’s one of very few African American students at the private school. When another black friend is subsequently murdered by the police before her eyes during a traffic stop, her white privileged classmates don’t understand what she’s going through.

 

I wonder if things would have been different at a public school. I wonder if by enrolling her in private school her parents hadn’t taken away the kind of support system she could have used to help deal with the tragedy.

 

Starr overcomes it all, and symbolically pulls a “Rest in Peace Khalil” T-shirt over her school uniform signaling her refusal to be a divided person any longer. It might have been even stronger had she re-enrolled in her public school, too.

 

 

Let me be clear: I’m not saying these are bad movies, books or comics. I actually quite like most of them. But I wonder if most people realize that when they consume this stuff they’re getting something a little extra with their entertainment – corporate propaganda.

 

It doesn’t seem to be an accident that so few schools are being so overrepresented in the mass media.

 

The global conglomerates are always looking for a way to make a buck, and product placement has always been a surefire way to do it.

 

Unfortunately, such underhand tricks can have a large impact on the cultural landscape.

 

If we continue to be bombarded by unsubstantiated images of public schools not being good enough and privatized education as the savior for our children, we will lose our system of public education.

 

Schools will no longer be funded by tax dollars. Parents will have to pay for them out of their own pockets.

 

At very least this will result in an even more stratified education system where wealth not only buys comfort and resources but knowledge, as well.



 

Still can’t get enough Gadfly? I’ve written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

book-1

Gadfly on the Road – Reflections on My First Book Signing

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So there I was standing at a podium in Barnes and Noble before an audience of 25 people who had come to hear me talk about my book.

 

Speech uploaded to my iPad – check.

 

Cough drop – check.

 

Fear that no one would take me seriously – Oh, double, triple check!

 

Let me just say there is a big difference between sitting behind a keyboard pounding out your thoughts for consumption on the Internet, and being somewhere – anywhere – in person.

 

I’ve spoken at rallies. I’ve spoken at school board meetings. I’ve spoken in private with lawmakers and news people.

 

But none of that is quite like being the center of attention at your own invitation, asking people to take time out of their busy lives and drag their physical selves to some prearranged place at some prearranged time just to hear whatever it is you’ve got to say.

 

I had been practicing my remarks for weeks after school.

 

I had a 15-20 minute speech ready to go – a distillation of the main themes in my book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform.”

 

Would people hear what I had to say?

 

 

I surveyed the audience. A few people I didn’t know. But there was my mom and dad, a bit more grey haired than I remembered yet doing their parental duty. There were a few colleagues from work – teachers, aides and substitutes. There were a few students standing in the back with their parents. One of my old high school buddies even showed up though he lived about a half hour away.

 

And there in the second row was my daughter.

 

For a moment, the whole world seemed to be nothing but her 9-year-old face – a mix of emotions – curiosity, nervousness, boredom.

 

In that moment, everything else disappeared. I had an audience of one.

 

I began.

 

It was surreal.

 

I spoke the words I had written weeks before, pausing to look up at the audience when I could.

 

Somehow I was both more and less nervous. I stumbled over parts that had caused no problems when alone. And I hit other points with more passion and purpose than ever before.

 

At certain points I found myself getting angry at the people behind the standardization and privatization of public education.

 

I rebuke these greedy saboteurs just about every week on my blog. But there was something different about putting the words on my tongue in public and letting the vibrations beat a rhythm on the ear drums of those assembled before me.

 

It was like reciting a spell, an incantation. And the effect was visible on the faces of those in front of me.

 

I glanced at my daughter, expecting her to be nagging her Pap to take her to the children’s section, but she was as entranced as the others.

 

And was I kidding myself or was there another emotion there? Pride?

 

 

I finished my remarks, getting a few laughs here and there. Anger and mirth in equal measure.

 

I thanked everyone for coming and took questions.

 

There were quite a bit.

 

Which aspect of corporate education reform was the worst?

 

Is there any way for parents to protect their children from standardized testing?

 

How has the gun debate impacted the move to privatization?

 

My mother even asked what alternative methods of assessment were preferable to standardized testing.

 

It went back and forth for a while.

 

When it seemed to die down, I thanked everyone for coming and said I would be there for as long as anyone would like to talk one-on-one and sign any books if people would like.

 

I had a line.

 

Thankfully, my wife brought me the nicest sharpie marker just before I got up there.

 

I tried to personalize as much as I could but everything seemed to be a variation on “Thanks for Coming.”

 

Students came up to me with huge grins. Parents asked more questions about their children. Lots of handshaking and hugs.

 

Teachers came up to tell me I had done a great job. Many introduced me to their kids – most itty bitty toddlers.

 

A former student who had already graduated got really serious and said, “It was about time someone said that.”

 

 

And it was over.

 

The store manager told me how many books we sold. I had no idea if that was good or bad, but he seemed well satisfied.

 

I packed everything up in my car and then went looking for my family.

 

I found them in the children’s section.

 

They had picked out a few books Mommy was purchasing. A really nice one about Harriet Tubman among them.

 

My daughter was sitting alone by a toy train set. She was worn out. It had been a long day.

 

“Daddy!” she said when she saw me. “You were amazing!”

 

And that was it.

 

That was all I’d needed.

 

She asked me about this or that from the speech. Obviously she didn’t understand the ins and outs of what I had said, but some of it had penetrated.

 

We talked about racism and why that was bad. We talked about what we could do to help stop it.

 

The rest of the time she held my hand and took me on a tour of the store.

 

I have hope for a better world, but if I’m honest, I’m not sure if writing this book or my activism or any of it will ever actually achieve its goal.

 

As ethicist Reinhold Niebuhr wrote, “Nothing that is worth doing can be achieved in our lifetime.”

 

But I’ve shown my daughter where I stand.

 

I’ve shown her where I think it’s appropriate to stand.

 

I’ve shown the same to my students, my family, my community.

 

They’ll do with that what they will.

 

I just hope that one day when I’m gone, my daughter will remember what I taught her.

 

She’ll remember and feel my presence though I’m long gone.


 

Photos:

 

Videos of the majority of my speech:

Part 1:

Part 2:

Part 3:

 

Dear Donald Trump, Please Try to Block Publication of My Book, Too

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Dear Donald Trump,

 

May I just say, Wow, Sir? You are really very impressive.

 

I know some people say you’re a stupid overgrown man child, but you really had an amazing comeback when you tweeted you were actually a “very stable genius.”

 

I mean “very stable genius”!

 

Well done, sir.

 

How could anyone ever come back from that devastating response?

 

Oh, and your answer to Michael Wolff was likewise inspiring.

 

He is such an ingrate.

 

You invited this guy, this reporter, into the White House – the Summer Mar-a-Lago – so he could conduct candid interviews and observe you and your staff for the express purpose of writing a book. Now that the book, “Fire and Fury,” is coming out, you see that it paints an unflattering picture of you. So you have your lawyers send Wolff a cease and desist letter attempting to stop its publication.

 

That is ballsy, sir.

 

Obama wouldn’t have done that. Neither would either of the Bushes, or Reagan or even your hero Andrew Jackson. They had too much respect for the First Amendment – whatever that is.

 

I hear it won’t work though. Wolff’s book was released early and it’s already a best seller, but I’ve got to take my hat off to you, sir, for your sheer bigly courage.

 

Wolff’s book’s already sold more than 250,000 copies and the author attributes much of that to your attempts to block publication.

 

But what does he know? He’s not President. You are, sir. And as you once said, “I’m like a smart person.”

 

That you are, sir. Not actually smart, but very much LIKE a smart person.

 

You know you’re so smart that I think you might want to consider blocking the publication of some other books, too.

 

Why should someone as YUGE and important as you focus all your energy on people like Wolff… and Kim Jong-un?

 

You know the other day I was walking by my local book store – yes, they still exist. Believe me! – and I saw another book you should really think about coming down on.

 

It’s called “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform.”

 

It’s by this total nerd Steven Singer. He’s one of those liberal elites, an educator spending his whole day with little children most of whom are poor, black and brown.

 

Disgusting, right?

 

And his book’s all about how racism drives the movement to destroy public education through high stakes standardized testing, charter and voucher schools.

 

Wait. Did I just lose you there? I haven’t mentioned you in a few paragraphs.

 

Hold on.

 

Trump! Trump! TRUMP!

 

Is that better?

 

Good.

 

Anyway, you might not think his book has anything to do with you, sir, but if you take a look inside, you’ll see he slams you and your administration again and again.

 

The introduction, alone, contains these disrespectful zingers:

 

“…behold the glass menagerie of fools Trump has assembled to populate his administration…”

 

“…the tired rhetoric of Nazi Germany and the Jim Crow South coming out of his [Trump’s] mouth…”

 

“…Trump is a monster and he’s assembled a cabinet of monstrosities to back him up. But that doesn’t make him scary. The best way to fight monsters is to turn on the light. And we have the brightest light of all – the light of knowledge, experience and wisdom.”

 

“We can take Tiny Hands, the Bankruptcy King any day! This is a guy who couldn’t make a profit running casinos – you know, a business where the house always wins! You expect us to cower in fear that he’s going to take away our schools. Son, we’ve fought better than you!

 

Trump represents a clear and present danger to our nation, our people and our schools. But we represent a clear and present danger to him. He hasn’t even been sworn in yet and the clock is already ticking. He’ll be lucky to last four years in the ring with us.”

 

Ah! Such a nasty man!

 

It probably makes you want to grab this guy by his pussy!

 

Could you imagine the look on this dude’s face if you were to send him a cease and desist letter? If you offered a criticism of his failing school at a press conference? Even if you just sent out a withering tweet about this sad loser?

 

Can you imagine how something like that might affect the sale of his book?

 

It’s selling pretty well for a book about education, but a comment from you would have a huge effect.

 

It would sell like hotcakes – by which I mean sell badly because who eats hotcakes, anymore, just McDonalds and KFC and well done steak with ketchup, Am-I-Right?

 

When you say something, people listen.

 

When you said, “Frederick Douglass is an example of somebody who’s done an amazing job and is being recognized more and more, I noticed,” you boosted sales of his 1845 “Narrative of the Life of Frederick Douglass, An American Slave” through the roof. It’s almost like people wanted to check to see if you really mentioned someone who died in 1895 like he was a contemporary figure walking around, going on TV and giving interviews.

 

Since you took office, you got the cash registers ringing with increased sales of “1984” by George Orwell, “March: Book One” by John Lewis, “It Can’t Happen Here” by Sinclair Lewis, and “The Handmaid’s Tale” by Margaret Atwood.

 

Everything you touch just turns to gold!

 

Or perhaps it already was gold, since you take your morning constitutional on a gold throne.

 

Take out your smart phone, sir, and give this Steven Singer and his book a good spanking.

 

Call your lawyers into the bathroom and have them draft a letter.

 

The book is called “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform.”

 

You want to make sure to include that in the tweet or letter.

 

It’s available at AmazonBarnes & NobleIndieBoundBooks-A-Million and as an E-book on Amazon.

 

Make sure everyone can see that is the book you’re criticizing.

 

You’ll have an incredible impact on the author.

 

After a smack from you, his life – and pocketbook – will never be the same.

 

So get out your tweeter, sir. And let’s sell some books!

 

I mean teach this guy a lesson. Then enjoy a steaming cup of covfefe.

 

Please.