The Absurdity of PROTECTING Kids from the Holocaust Narrative ‘Maus’ 

 
Nudity and bad language.  


 
That’s a Tennessee school board’s excuse for banning Art Spiegelman’s graphic novel “Maus.”  


 
Not Holocaust denial.  


 
Not antisemitism. 

Not a hundred other things they don’t want to admit to themselves about themselves.


 
It was simply a dirty drawing and some curse words. 


 
The graphic novel focuses on the cartoonist and his estranged father. Spiegelman slowly unravels the true story of how his dad survived the Holocaust. All the while, the son draws the narrative portraying Jewish people as mice and Germans as cats. 

It’s a work of literature that looks directly into the unfathomable and recontextualizes it into something we can attempt to understand.

The committee at Columbia University awarded the story a Pulitzer Prize – the only graphic novel yet to win such a prestigious award.

But the Tennessee school board awarded it their walking papers.

And why?

Naughty words and risqué images.


 
In particular, the board objected to eight bad words and the drawing of a nude woman.  


 
On its Website, district administrators posted the following explanation of their action


 
“One of the most important roles of an elected board of education is to reflect the values of the community it serves. The McMinn County Board of Education voted to remove the graphic novel Maus from McMinn County Schools because of its unnecessary use of profanity and nudity and its depiction of violence and suicide. Taken as a whole the board felt this work was simply too adult-oriented for use in our schools.” 


 
Can you imagine living in a community that values refraining from swear words and covering up the human body more than telling the truth about genocide


 
Can you imagine putting a premium on decorum and propriety over an honest portrayal of events? 


 
And who are the McMinn County Board of Education to say these words and this image are “unnecessary” to tell the story!? 


 
It’s the Holocaust! It’s not a Disney theme park! 


 
If you’re talking about the systematic murder of 6 million Jewish people and 5 million non-Jewish people, wouldn’t it be appropriate to use some bad language!?  


 
To their credit, the image the school board objects to isn’t one of mice being tortured and murdered in a concentration camp. It’s not the genitals of naked mice – after all, aren’t mice always naked?  


 
It’s the drawing of the author’s mother who couldn’t live with the atrocities she endured and committed suicide. His father discovers her naked body in the bathtub.  


 
There’s nothing salacious about it.  


 
It’s shocking. It’s disturbing. It’s deeply sad.

But that’s exactly what it’s meant to be.

To react – as this board has – is the height of callousness.

Here we have the story of so many deaths, so many murders, and all they can do is decry the way it is told.

As a person of Jewish ancestry, it hits me hard.

Imagine being told that the story of your family’s murder is only acceptable if it isn’t upsetting.

It’s only acceptable if it doesn’t provoke a reaction in your heart – only if it keeps your eyes dry and your throat unstopped.

But that’s the point! It SHOULD be upsetting! It should hurt your heart! It should make your eyes leak and your throat close up.

However, school director Tony Allman said something that disproved the fiction that the board’s action was limited to pure decorum.

In the meeting minutes he was quoted as saying, “It shows people hanging, it shows them killing kids, why does the educational system promote this kind of stuff? It is not wise or healthy. Being in the schools, educators and stuff we don’t need to enable or somewhat promote this stuff.” 

You’re wrong, Sir.

You DO need to promote this stuff.

Not encourage people to engage in future Holocausts but to promote that it DID happen so that it will not happen again.

Because on Oct 27, 2018, it happened again at the Tree of Life synagogue in my hometown of Pittsburgh when a gunman killed 11 and wounded six.


 
In August 2017, it happened at the “Unite the Right” rally in Charlottesville, Virginia, when hundreds of marchers threw Nazi salutes and waved Swastika flags while shouting “Siege Heil” and “Jews will not replace us!”

The Anti-Defamation League (ADL) recorded more than 2,100 acts of assault, vandalism and harassment against Jewish people in 2021 – an increase of 12 percent over the previous year. This is the highest level of antisemitic incidents since ADL’s tracking began in 1979. This includes five fatalities directly linked to antisemitic violence and another 91 individuals targeted in physical assaults. 


Assault, harassment and vandalism against Jews remain at near-historic levels in the U.S.


The Federal Bureau of Investigation’s 2020 hate crime statistics showed not only that hate crimes were up for all minority groups, but crimes targeting Jewish people made up 54.9% of all religious bias crimes. 

According to the American Jewish Committee, nearly one out of every four Jews in the U.S. has been the subject of antisemitism over the past year.


Seventeen percent of respondents in the committee’s survey said they had been the subject of an antisemitic remark in person, while 12% said they were the victim of an antisemitic remark online. Three percent of Jews who responded to the poll said they were the target of an antisemitic physical attack. 

And this school board thinks the problem is a book that merely reports such events in the past.

Your children don’t need protection from the STORY of the Holocaust.

They need protection from the Holocaust, itself.

They need protection from it happening again – from the kind of violence and bigotry on the rise today.

They need protection from becoming the mice.

They need protection from becoming the cats.

They need adults brave enough to take a stand against these horrors.

It’s just too bad that you aren’t brave enough to do it, yourselves.


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Public School Students are Being Erased From TV, Movies and Other Media

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Ninety percent of America’s students go to public schools.

 

But you wouldn’t know that if you opened a book, turned on the TV or went to a movie.

 

The media is engaged in a disinformation campaign erasing public schools and public school students from our entertainments.

 

It’s another way marketing and advertising is forced down our throats and into our leisure hours.

 

Not only do the multi-billion dollar corporations who fund these entertainments want to convince us we need this pill, that appliance, those technological doo-hickeys — they need to cajole and inveigle us that we need school privatization, too.

 

And what better way to do that than to give us heroes that  – what-do-you-know – just happen to go to charter, voucher and private schools?

 

No one takes Betsy DeVos, the billionaire heiress who bought her position as education secretary to tear down public schools, seriously. But we certainly do when it comes to Hollywood, the Boob Tube and Young Adult literature.

 

Take Miles Morales, an Afro-Latino Spiderman, who just made his big screen debut in Marvel’s “Spiderman: Into the Spiderverse.”

 

It’s refreshing to see the iconic Spideysuite worn by a character of color, but why change his alma mater, too?

 

The original webslinger, Peter Parker, was an everyperson teen who went to a public school. But Morales goes to a private school in the movie and a charter school in the comic books on which the film is loosely based.

 

 

Then we have “The Kid Who Would Be King” a modern day retelling of the King Arthur legend. In the film, Alex finds Excalibur and becomes king – while attending a British academy, the U.K.’s version of an American charter school.

 

And let’s not forget “The Hate U Give.” In both the book and the movie, the protagonist, 16-year-old African American Starr Carter, deals with a white police officer murdering her black friend. And her struggle is worsened by the incomprehension she meets at her mostly white, privileged private school.

 

Why are all these stories taking place where a tiny sliver of kids are educated?

 

What happened to all the public school students?

 

It’s not like privatized education has ever been starving for representation in the mass media.

 

If anything, private schools have historically been overrepresented – Lord of the Flies, A Separate Peace, Dead Poets Society, Catcher in the Rye, etc.

 

At least in the past you could count on the default setting for kids to be public school. Unless it was an integral part of the plot, it was just assumed that everyday kids went to everyday public schools.

 

John Travolta and Olivia Newton John dreamed of those summer nights, but they went to Rydell High.

 

Molly Ringwald and the rest of the Breakfast Club attended Saturday detention, but during the week they were in class at Shermer High.

 

Sarah Michelle Gellar’s Buffy and co. fought off vampires, but they had homework at Sunnydale High.

 

Even Bella Swann navigated her vampire-werewolf love triangle at Forks High!

 

But today’s fictional teens wouldn’t be caught dead in one of those traditional institutions.

 

 

And nothing could be more unrealistic!

 

 

We’re whitewashing the reality to make America’s children and parents feel deficient for the schools they actually attend and – for the most part – are quite satisfied with.

 

 

It’s not about representation for the 10 percent enrolled in privatized schools. It’s about expanding the market to get more children and families to abandon public schools and pony up the dough (or siphon off the taxes) to enroll in these institutions, too.

 

Or at least TRY to enroll.

 

 

MILES MORALES

 

 

 

 

 

Back in 2011, when writer Brian Bendis and artist Sara Pichelli created Morales for Marvel comics, he was a reaction to the election of Barack Obama. As such, even his schooling had to reflect that.

 

In Ultimate Comics Spider-Man, he is shown winning the last spot in a charter school lottery to enroll in Brooklyn Visions Academy.

 

 

The comic book panels mirror almost frame-for-frame the school privatization propaganda film “Waiting for Superman.” Pro-charter school Obama becomes pro-privatization Spider-man.

 

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miles-gets-in

miles-morales-gets-in

It’s almost like the big corporations who own the super heroes can’t tell who the good guys and the bad guys are anymore.

 

Here we have an American icon hawking a solution to child education that increases segregation, does away with duly-elected school boards, does away with the kinds of regulations that protect kids’ rights and instead allows unscrupulous charter operators to reduce services for children and pocket the difference.

 

It’s like watching Mickey Mouse explain how your folks should invest all their money with Bernie Madoff.

 

For some reason, in the movie version Morales’ charter school is rewritten as a private school for smart kids. I wonder why they made the change. It’s almost like there’s no appreciable difference between private schools and charter schools. And there isn’t!

 

THE KID WHO WOULD BE KING

 

 

 

Speaking of which, let’s examine the strange case of “The Kid Who Would be King.” The movie is technically not out yet, so it’s hard to see if it will make much use of its apparent Academy setting.

 

However, the trailer includes lots of shots of kids in traditional prep school dress with a stylized formal crest on blazers and pants. It almost seems like the setting is little more than an excuse to embrace a certain aesthetic in the costumes more than a plot point.

 

Or perhaps the marketing department just wants moviegoers to associate the film with the Harry Potter movies.

 

After all, Hogwarts is the ultimate in quasi-privatization. Special kids go to a special school where they are taught special classes. It’s never quite clear how it’s all paid for, though the kids do have to buy their own supplies.

 

 

Would “The Kid Who Would Be King” be any better if the kids in it went to public schools? They certainly would be more relatable to the average child.

 

First conceived in the early 2000s, British academies are not bound by national rules for staffing and curriculum, and receive more money from the government for administration while reducing funding to the traditional schools nearby.  However, according to a new peer-reviewed study by the London School of Economics, primary academies have not been able to meet the promise of increasing test scores.

 

The authors conclude:

 

“The English government has radically restructured its school system under an assumption that academisation delivers benefits to schools and students. There is neither any sign of a positive effect nor any suggestion that benefits might be increasing with years of exposure. If anything, the opposite is the case.”

 

Oh whatever! The blazers look nice!

 

THE HATE U GIVE

 

 

And that brings me to “The Hate U Give.”

 

 

Starr’s private school does at least seem to be important to the plot. After her best friend is gunned down by a gangbanger, a 10-year-old Starr is sent to Williamson Prep, a private school in the white suburbs. The family remains in the neighborhood and even takes great pride in living among other black people. But for some reason the idea of public school and the trauma of this event are entwined in their minds. They want more for Starr than just a public school experience.

 

Consider this bit of narration:

 

“The high school is where you go to get jumped, high or pregnant. We don’t go there. Williamson is another world. So when I’m here, I’m Starr version 2. Basically Williamson Starr doesn’t give anyone a reason to call her ghetto. And I hate myself for doing it.”

 

 

Years later, she’s one of very few African American students at the private school. When another black friend is subsequently murdered by the police before her eyes during a traffic stop, her white privileged classmates don’t understand what she’s going through.

 

I wonder if things would have been different at a public school. I wonder if by enrolling her in private school her parents hadn’t taken away the kind of support system she could have used to help deal with the tragedy.

 

Starr overcomes it all, and symbolically pulls a “Rest in Peace Khalil” T-shirt over her school uniform signaling her refusal to be a divided person any longer. It might have been even stronger had she re-enrolled in her public school, too.

 

 

Let me be clear: I’m not saying these are bad movies, books or comics. I actually quite like most of them. But I wonder if most people realize that when they consume this stuff they’re getting something a little extra with their entertainment – corporate propaganda.

 

It doesn’t seem to be an accident that so few schools are being so overrepresented in the mass media.

 

The global conglomerates are always looking for a way to make a buck, and product placement has always been a surefire way to do it.

 

Unfortunately, such underhand tricks can have a large impact on the cultural landscape.

 

If we continue to be bombarded by unsubstantiated images of public schools not being good enough and privatized education as the savior for our children, we will lose our system of public education.

 

Schools will no longer be funded by tax dollars. Parents will have to pay for them out of their own pockets.

 

At very least this will result in an even more stratified education system where wealth not only buys comfort and resources but knowledge, as well.



 

Still can’t get enough Gadfly? I’ve written a book, “Gadfly on the Wall: A Public School Teacher Speaks Out on Racism and Reform,” now available from Garn Press. Ten percent of the proceeds go to the Badass Teachers Association. Check it out!

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Hero of New CW Action Series to be a Charter School Principal

black-lightning-in-costume-in-first-look-of-the-cw-s-new-series

 

Charter schools are incredibly contentious.

 

They serve about 7% of American students, but siphon away funding from traditional public schools serving the majority of the population.

 

They are rife with scandals: Many close suddenly without warning. They often hire teachers without certifications from accredited universities. Administrators have been known to buy yachts and expensive gifts with tax dollars meant to educate children. They cherry pick the easiest students to educate and kick out the most difficult.

 

And that just scratches the surface!

 

Why would you want to purposefully set your action adventure series there!?

 

That’s exactly what the CW has done with its new series Black Lightning.

 

The network released an extended description for the show today in an announcement for its fall schedule:

 

 

“Jefferson Pierce (Cress Williams) is a man wrestling with a secret. As the father of two daughters and principal of a charter high school that also serves as a safe haven for young people in a New Orleans neighborhood overrun by gang violence, he is a hero to his community…”

 

To which I can’t help but wonder, “WHY!?

 

Why, CW!? Why put your hero at the head of a charter school?

 

In the original DC comic book on which this television series is based, Pierce is a principal at Garfield High School in the fictional city of Metropolis.

 

When the writers moved the setting to New Orleans and made the hero a charter school principal, they were making purposeful changes to the mythology.

 

Why?

 

What does it add to the series with the inclusion of this extra detail?

 

Yes, Jefferson Pierce is African American. It’s about time we have more black super heroes. Marvel did an amazing job with its Netflix show based on Luke Cage, a character also created by writer Tony Isabella.

 

But charter schools are not uniquely black. The National Association for the Advancement of Colored People (NAACP) issued a moratorium on charter school expansion just last year. The national civil rights organization has been publically critical of charter schools’ impact on children of color since 2010.

 

Specifically, the resolution states:

 

“…the NAACP opposes the privatization of public schools and/or public subsidizing or funding of for-profit or charter schools…”

 

“…the NAACP calls for full funding and support of high quality free public education for all children…”

 

The resolution goes on to oppose tax breaks to support charter schools and calls for new legislation to increase charter school transparency. Moreover, charters should not be allowed to kick students out for disciplinary reasons.

 

Yet THIS is where the CW decides to set its Sci Fi/Fantasy series!?

 

 

Perhaps the writers wanted to place the action in historic New Orleans, a city that has had almost nothing but charter schools since Hurricane Katrina.

 

But this is far from a success story.

 

After one of the worst natural disasters to hit the US in decades, the state fired almost all of its public school teachers, disbanded almost all local public school districts and reopened them as charter schools. New Orleans is now the only nearly all charter school city in the country.

 

Though supporters claim that this has resulted in increased test scores and graduation rates, the city’s schools cannot honestly be described as having turned around.

 

The district is still the fourth lowest performing educational institution in the country. Moreover, when compared with traditional public school districts in the state and controlling for factors like race, ethnicity, and poverty, New Orleans charter school students do much worse academically. For instance, on eighth-grade reading and math tests, charter-school students performed worse than their public-school counterparts by enormous margins—2 to 3 standard deviations.

 

These are the largest gaps between public and charter schools in the nation!

 

And that’s not all! Before becoming an all-charter district, the city had a substantial amount of teachers of color. Now they’re mostly gone.

 

This is where your escapist superhero fantasy is taking place?

 

New Orleans charter schools are notorious for strict discipline policies where students describe feeling like they’re in prison.

 

You want your hero to be a principal HERE!?

 

Teachers and parents describe feeling demoralized and ignored. They filed a federal civil rights complaint in 2014 and still pine for the community schools they experienced when they were children.

 

And this is where you’re shooting your action adventure series?

 

I can’t help but wonder why the CW would greenlight such an irresponsible drama.

 

Perhaps Black Lightning will fight to turn his nefarious charter school back into a traditional public institution with an elected school board, public meetings and sensible regulations.

 

Other than that, I cannot imagine why any sane television network would actively decide to champion school privatization.

 

In the original comic book, Pierce eventually was made Secretary of Education by President Lex Luthor. Perhaps the CW is drawing a parallel between their hero and our current Education Secretary Betsy DeVos.

 

President Donald Trump certainly brings to mind the super-villain Luthor – except that Luthor is known for being an evil genius and Trump is only known for one of those things…

 

But why would you want to associate your superhero with the most unpopular Education Secretary in history. DeVos only got her position after a split Senate confirmation and a tie-breaking vote by Vice President Mike Pence. She has been publicly booed at a graduation ceremony at an all black college where she spoke. Parents and protesters have physically stopped her from entering several schools.

 

You want us to associate your hero with THAT!?

 

Full disclosure, I love CW’s superhero line-up. The Flash is delightful Sci-Fi fun. Arrow is escapist vigilante justice. Supergirl is girl power drama. Legends of Tomorrow is time travel fun.

 

But what the heck will Black Lightning be!?

 

Moreover, I loved Netflix’s Luke Cage. I think it was one of the best Marvel superhero series – something that transcended the genre and seemed to be addressing authentic social issues like the Black Lives Matter movement, police brutality, etc.

 

I can’t imagine how Black Lightning would do any of that.

 

Having a political subtext can elevate a TV show and put it in the center of the cultural zeitgeist. But it has to be done with sensitivity and intelligence.

 

Having CW’s hero be a charter school principal is a ham-handed nod to school privatizers and equity managers. Audiences want someone who fights for the underdog – not investment bankers.

 

I just don’t get it, CW.