The Absurdity of PROTECTING Kids from the Holocaust Narrative ‘Maus’ 

 
Nudity and bad language.  


 
That’s a Tennessee school board’s excuse for banning Art Spiegelman’s graphic novel “Maus.”  


 
Not Holocaust denial.  


 
Not antisemitism. 

Not a hundred other things they don’t want to admit to themselves about themselves.


 
It was simply a dirty drawing and some curse words. 


 
The graphic novel focuses on the cartoonist and his estranged father. Spiegelman slowly unravels the true story of how his dad survived the Holocaust. All the while, the son draws the narrative portraying Jewish people as mice and Germans as cats. 

It’s a work of literature that looks directly into the unfathomable and recontextualizes it into something we can attempt to understand.

The committee at Columbia University awarded the story a Pulitzer Prize – the only graphic novel yet to win such a prestigious award.

But the Tennessee school board awarded it their walking papers.

And why?

Naughty words and risqué images.


 
In particular, the board objected to eight bad words and the drawing of a nude woman.  


 
On its Website, district administrators posted the following explanation of their action


 
“One of the most important roles of an elected board of education is to reflect the values of the community it serves. The McMinn County Board of Education voted to remove the graphic novel Maus from McMinn County Schools because of its unnecessary use of profanity and nudity and its depiction of violence and suicide. Taken as a whole the board felt this work was simply too adult-oriented for use in our schools.” 


 
Can you imagine living in a community that values refraining from swear words and covering up the human body more than telling the truth about genocide


 
Can you imagine putting a premium on decorum and propriety over an honest portrayal of events? 


 
And who are the McMinn County Board of Education to say these words and this image are “unnecessary” to tell the story!? 


 
It’s the Holocaust! It’s not a Disney theme park! 


 
If you’re talking about the systematic murder of 6 million Jewish people and 5 million non-Jewish people, wouldn’t it be appropriate to use some bad language!?  


 
To their credit, the image the school board objects to isn’t one of mice being tortured and murdered in a concentration camp. It’s not the genitals of naked mice – after all, aren’t mice always naked?  


 
It’s the drawing of the author’s mother who couldn’t live with the atrocities she endured and committed suicide. His father discovers her naked body in the bathtub.  


 
There’s nothing salacious about it.  


 
It’s shocking. It’s disturbing. It’s deeply sad.

But that’s exactly what it’s meant to be.

To react – as this board has – is the height of callousness.

Here we have the story of so many deaths, so many murders, and all they can do is decry the way it is told.

As a person of Jewish ancestry, it hits me hard.

Imagine being told that the story of your family’s murder is only acceptable if it isn’t upsetting.

It’s only acceptable if it doesn’t provoke a reaction in your heart – only if it keeps your eyes dry and your throat unstopped.

But that’s the point! It SHOULD be upsetting! It should hurt your heart! It should make your eyes leak and your throat close up.

However, school director Tony Allman said something that disproved the fiction that the board’s action was limited to pure decorum.

In the meeting minutes he was quoted as saying, “It shows people hanging, it shows them killing kids, why does the educational system promote this kind of stuff? It is not wise or healthy. Being in the schools, educators and stuff we don’t need to enable or somewhat promote this stuff.” 

You’re wrong, Sir.

You DO need to promote this stuff.

Not encourage people to engage in future Holocausts but to promote that it DID happen so that it will not happen again.

Because on Oct 27, 2018, it happened again at the Tree of Life synagogue in my hometown of Pittsburgh when a gunman killed 11 and wounded six.


 
In August 2017, it happened at the “Unite the Right” rally in Charlottesville, Virginia, when hundreds of marchers threw Nazi salutes and waved Swastika flags while shouting “Siege Heil” and “Jews will not replace us!”

The Anti-Defamation League (ADL) recorded more than 2,100 acts of assault, vandalism and harassment against Jewish people in 2021 – an increase of 12 percent over the previous year. This is the highest level of antisemitic incidents since ADL’s tracking began in 1979. This includes five fatalities directly linked to antisemitic violence and another 91 individuals targeted in physical assaults. 


Assault, harassment and vandalism against Jews remain at near-historic levels in the U.S.


The Federal Bureau of Investigation’s 2020 hate crime statistics showed not only that hate crimes were up for all minority groups, but crimes targeting Jewish people made up 54.9% of all religious bias crimes. 

According to the American Jewish Committee, nearly one out of every four Jews in the U.S. has been the subject of antisemitism over the past year.


Seventeen percent of respondents in the committee’s survey said they had been the subject of an antisemitic remark in person, while 12% said they were the victim of an antisemitic remark online. Three percent of Jews who responded to the poll said they were the target of an antisemitic physical attack. 

And this school board thinks the problem is a book that merely reports such events in the past.

Your children don’t need protection from the STORY of the Holocaust.

They need protection from the Holocaust, itself.

They need protection from it happening again – from the kind of violence and bigotry on the rise today.

They need protection from becoming the mice.

They need protection from becoming the cats.

They need adults brave enough to take a stand against these horrors.

It’s just too bad that you aren’t brave enough to do it, yourselves.


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Men, Too, Need No Longer Suffer in Silence the Pain of Sexual Harassment

sad-man-silhouette-on-bench

 

This is one of the hardest articles I’ve ever written.

 

I’ve started it several times. And each time I deleted it.

 

After all, what right do I have to talk about sexual harassment?

 

I wasn’t raped.

 

I wasn’t drugged, beaten or blackmailed.

 

No one physically abused me in any way that did lasting physical harm.

 

But I was misused.

 

I was harassed.

 

And I shouldn’t have been.

 

I was made a victim, and my victimizer was a woman.

 

That, alone, shames me to my core.

 

I’m a grown man.

 

We’re not supposed to care about things like this.

 

We’re supposed to be unfeeling, undisturbed, stoic cowboys with our eyes ever fixed on the horizon.

 

If anything, I should be the one accused, not the accuser.

 

Some would deny that you even CAN sexually harass a man.

 

They’d look at the cultural ideal of manhood as an emotionally stunted beast of burden, and say men are too callous and shallow to be susceptible to this sort of pain. After all, men are always ready for the next sexual encounter. Or we should be, because that’s what it means to be a man.

 

But they’re wrong.

 

Men have feelings, too. We hurt. We cry. And we can be scarred by unwelcome advances.

 

So what happened?

 

It was almost thirty years ago.

 

I was just a kid in middle or high school – 8th or 9th grade.

 

It was in pottery class.

 

I’ve always loved the arts. I used to draw every spare second. My notebooks were covered with doodles and sketches. Cartoon dinosaurs and skulls. Sometimes an alien or dragon.

 

And I loved working with clay, too.

 

For years my mother had a vase I made in that pottery class. It was fat on the bottom with a slender neck. Purple glaze on the outside with a blue interior. Mom displayed it proudly in her dinning room, sometimes with a few flowers inside, until one day it accidentally fell from a shelf and shattered.

 

I might have been working on that same vase when it happened. I really can’t remember.

 

I think it was a pinch pot.

 

I was standing at a table I shared with three or four other students, wrapping tubes of hand rolled clay around and around into the shape of a container, when someone came up behind me, grabbed my butt and squeezed.

 

I jumped in surprise, and said “Ohh!” or something.

 

Then I heard, “Hey, sweet cheeks!”

 

And laughter. All coming from the other side of the room.

 

I turned my head to see who it had been.

 

It was a girl I hardly knew though she had been in my classes since first grade.

 

Let’s call her Nancy.

 

She was a chunky but not unattractive girl from the other side of the room.

 

She walked back to her friends, both boys and girls, at her table, and they were all losing it over what had happened.

 

I blushed and turned back to my work, feeling like the clay my fingers molded.

 

I couldn’t even process what had happened.

 

Why had Nancy just walked over to me and pinched my butt?

 

It wasn’t even a playful pinch. It wasn’t grabbing someone with the palm of your hand and giving a squeeze. She had clawed into my flesh, secured a good hunk and pulled.

 

It was angry and mean.

 

I didn’t understand. What had I ever done to her?

 

I barely knew her. I hadn’t said more than ten words to her in eight years.

 

“You like that?” she asked from across the room.

 

I just kept working on my pot, looking at it as if it were the only thing left in the universe.

 

The others at my table were giggling, too.

 

I remember it like a scene in slow motion. Me rolling out and unwinding the clay. Everyone else laughing. Nancy smirking.

 

And then she came back and did it again!

 

I jumped and squealed.

 

But I did nothing. I said nothing.

 

She pinched me at least three or four more times. Maybe more.

 

And she said something each time.

 

And like it was on a script, always the laughter and guffaws.

 

Eventually I think I started to quietly cry.

 

That’s when it stopped mostly.

 

 

The others at my table were as silent as I was. When they saw my reaction, I think they got embarrassed.

 

We were all working with incredible concentration trying not to acknowledge what was happening.

 

I made sure not to turn and look behind me. But I could hear the snickers.

 

Where was the teacher?

 

The room had a strange L-shape. At the foot of the L was a kiln where she was diligently firing last week’s pottery. From where she was, she probably couldn’t see the rest of us working at our tables.

 

I don’t think she saw anything. She never said anything if she did.

 

When she returned to our side of the art room, she may have asked if I was okay. I’m not sure. I probably just shrugged it off. Maybe asked to go to the bathroom.

 

Why did this bother me so much?

 

Because I wasn’t asking for anyone to come over and touch me like that.

 

I just wanted to make my stupid pot. I just wanted to be left alone.

 

I didn’t want to be treated like anyone’s joke. I didn’t want my physicality to be the cause of anyone’s laughter.

 

It’s not that Nancy was a pariah or a terrible person or anything. If things had been different, I might have responded differently.

 

But when you’re a guy in high school, you aren’t allowed to be upset when a girl comes and pinches you.

 

You’re supposed to respond a certain way.

 

I couldn’t ask her to stop. I’m supposed to love it.

 

Even if it’s a joke.

 

Even if it’s a way to denigrate me in front of the whole class. Even if it’s a way to proclaim me the most undesirable boy in the whole room.

 

It felt like someone pointing at a banana peel in the trash and mockingly saying, “Yum! Yum!”

 

But I was the garbage.

 

It certainly made me feel that way.

 

I’m not sure why this has bothered me for so long.

 

Maybe it’s the feeling of powerlessness – that there was nothing I could do. Maybe it was a feeling that I should be reacting differently. I should be more assertive either telling her to leave me alone or maybe actually liking the physical contact.

 

I’m not sure how to explain it.

 

I was made to feel inferior and degraded.

 

Perhaps that’s why I’ve remained silent about it all these years. The only solution had seemed to be to forget about it and move on.

 

Yet doing so leaves a cold lump in your chest. Oh, it won’t kill you. But it’s always there. You just learn to live with it.

 

I suppose in writing about it, I’m trying to rid myself of that lump.

 

I don’t know if it will work. But I’m tired of carrying it around with me anymore.

 

We’re living in a remarkable moment. Women everywhere feel empowered to share their stories of abuse at the hands of men. Shouldn’t I feel empowered to share my story of abuse at the hands of a woman?

 

But there does seem to be a disconnect here. A disanalogy.

 

No matter who you are, everyone has been the victim at one point or another.

 

Whether you’re male or female, rich or poor, black or white – everyone has been on the losing side.

 

However, some people use that truth as an excuse to pretend that all groups have been equally targeted. They use it as a way to justify the marginalization and minimalization of women and people of color, for instance, groups that have been most often earmarked for abuse.

 

 

Let me be clear – I firmly reject that. I am not All Lives Mattering sexual harassment and abuse. Clearly, women have born the brunt of this burden and men have more often been the cause.

 

But that doesn’t mean that men are immune to being victimized or that women are incapable of being aggressors.

 

Perhaps that’s my point in writing this – to caution against easy expectations and easy labels.

 

Toxic masculinity exists because we have toxic expectations for men and boys. Our society molds them into the shape of our collective expectations.

 

It’s about time we expect more from men.

 

And it’s time we allow them the space to be hurt so that they, too, need no longer suffer in silence.